Every track on Volcano flows beautifully, almost overloaded with hooks and harmonies, and charged with rhythmic intent. But the soundscapes are infinitely brighter and weirder and more thrillingly modern.
It would have been really easy for Temples to pump out Sun Structures 2.0, but they took a chance, and the result is some really exciting rock'n'roll.
Their latest, Volcano, practically sheds the skin of their earlier approach, with the band leaning on their melodic strengths to emerge with a largely new identity that also seems a surprisingly natural fit.
There’s something refreshing about how wholeheartedly Temples embraces genres that feel so closely tied to decades past. Nothing about the group’s approach feels like a rehash, though, and Volcano is an even better show of originality and commitment to personal musical style than any previous release.
This record’s closest counterpart is last year’s Currents from Tame Impala. Temples can’t quite reach pop solidarity like those Aussies, but they come close enough.
The second full-length effort from Kettering quartet Temples is another solid effort, but as with 2014 debut Sun Structures, Volcano lacks the spark that should be propelling the band into precocious territory.
Listening to their subsequent release Volcano gives one the impression that they aim to progress away from that semi-plagiarisation label but still stick to their musical beliefs of sonic trickery, evolutional hallucinogenic mood and poetic creativity.
Fans of the first album may be disappointed by the changes, especially since the band takes most of the psych out of its pop. Those who stick around will find that Volcano is a pretty good modern pop record.
Volcano’s crater maybe smoking with the promise of producing some enticing sonic magma but it’s resulting eruption is rather lukewarm when it could be piping hot.
Like the good and bad parts of a trip, what Temples encapsulate is riding the wave between both the highs and lows. Arguably this makes their ethos transcendental in a sense, but what lets them down is what makes certain tracks more memorable than others.
Unfortunately, while undoubtedly bigger, it is – despite Bagshaw’s claims – not necessarily better. And the main issue is that blindingly glistening production and the garish, dog-bothering synths that dominate near every track.
Volcano is a fun album of tightly-crafted, catchy melodies. But it’s in no way reinventing the genre the band members so keenly idolise.
By all means, give this a spin if you're either a fan of Temples or not, and tell me I'm wrong. But I do believe in excitement and empathy through music, and Volcano simply didn't do it for me.
Crikey, what happened to this lot? A few years ago, Temples’ Sun Structures debut heralded a promising addition to the UK indie scene, their skirling guitars hinting at deep immersion in psych-rock forebears like Traffic and The Pretty Things. But with the toothless Volcano, they’ve abandoned that path in favour of a wheedling, keyboard-heavy electropop sound with much less bite, pock-marked with dubious stylistic potholes.
I definitely think this is their weakest BUT that doesn’t stop it from providing the Temples experience 🤭
Favorite Tracks:
- Roman Godlike Man
- Oh the Saviour
- Certainty
RELISTENED:
JANUARY 26, 2026
| 1 | Certainty 4:24 | 90 |
| 2 | All Join In 4:08 | 65 |
| 3 | I Wanna Be Your Mirror 4:46 | 88 |
| 4 | Oh the Saviour 3:45 | 83 |
| 5 | Born into the Sunset 4:46 | 76 |
| 6 | How Would You Like to Go? 3:35 | 84 |
| 7 | Open Air 4:46 | 88 |
| 8 | In My Pocket 3:03 | 79 |
| 9 | Celebration 4:19 | 81 |
| 10 | Mystery of Pop 3:24 | 82 |
| 11 | Roman Godlike Man 3:50 | 73 |
| 12 | Strange or Be Forgotten 4:08 | 86 |