D-Clone manages to push D-Beat to it’s extreme, blending in incredible drumming and noisy guitars with constant screaming that is always prevalent, it’s trying to be as abrasive as it can possibly be, and it succeeds. This is as noisy as possible without sacrificing anything in return, unbelievably great.
I’m not exactly a jazz aficionado so I don’t feel entirely qualified to speak on this but I found it to be highly enjoyable. Still one of their more accessible releases while keeping it just avant-garde enough to keep things interesting. Very interesting listen.
Absolutely incredible monolithic pulsating drone that completely overpowers everything around you. Over it’s near three hour runtime your life-force is completely drained by the end, leaving only your thoughts and nothing. Incredible experience, incredible album, all in all amazing.
I feel like this is the most experimental release of their first ten, even considering number 9. This release is so incredibly simplistic and goes on for such a long time I can't really get anything out of it. The idea of using throat singing in drone is a great idea I think but in my opinion it was executed poorly and just ends up sounding grating.
The spoken word is interesting I suppose but it's not enough to get me to like this, honestly pretty disappointing release but I suppose ... read more
Absolutely isolating, completely traps you within itself from the first few various bleeps and bloops. The hour long piece reaches it's peak about in the middle when all the sounds have finally morphed together in this big cacophony of metallic and mechanical clangs along with the sonar bloops that legitimately leaves you braindead if you let it. Absolutely boggling to me that a piece of music like this can exist, a soundscape like no other.