dafuq, bro been in his nuclear bunker too long, if you want to get a message across, don't just put some interview or voicemails on a track

I can't believe this is Chaeyoung, nothing mind-blowing, but I appreciate the veer from the typical sound K-pop brings. good overall

Makes me appreciate the first swag a lot more

Don't want to disrespect, but cool jazz record

I get the hype, but lacking compared to Preachers Daughter IMO

I've known Dev Lemons more for her presence online, so I was excited to dive into her debut album. It's not for me but I can understand the appeal, with the high energy tracks and interesting moments but it does seem kinda all over the place. I'm excited to see what Dev can do next.

First Little Simz album, a lot more theatrical and poetic than I expected, cool flows, sick harmonies from some of the features, dope messages. Just not going to revisit a lot of these songs but good album

bangs

There's really nothing wrong with the album itself; it's a catchy pop record, consistent in sound, but it's definitely not made for a fella like me, and there are some really horny moments that take you aback. Nonetheless, if you're a Sabrina fan or extremely rhinoed up, I could see you rocking with this.

What a great album on first listen, I think my ears are still getting adjusted to his style, but great harmonies. Also, dope use of the features, none of them are too overwhelming and really match the track's tempo and overall vibe.

Features do their thing, Westside Gunn does his thing, production is nice. Although it's nothing new from him content, flow, and adlib wise you can't deny he consistently drops great sounding music.

I'm not the biggest country fan but heard many great things about Tyler Childers, I was surprised by the rock elements and use of effects on his voice. There are also some great heartfelt ballads. It detours from the typical content that is usually popular in country (BEER) and I really do understand the appeal and enjoyed my experience, I just wouldn't revisit it too often.

Jumping into a JPEG album feels like trying a new substance; every project is different, but the sound he's tapped into can really hook you, or you hate it. When it comes to LP! it's an extremely good project with peak JPEG tracks, but in typical fashion, some of his experimentation with his voice or production falls flat to me.

I absolutely understand the appeal; it's very artistic and addresses real-life experiences/trauma through this character, as well as the guitar segments being sick. It's not my type of music, but great nonetheless.

2 to 3 all-time songs, consistent sound, crazy guitar riffs. I'm not going into this record expecting my life to be changed or some lyrical spiritual miracle BS, but it's fun and I have nothing really negative to say about it.

Simple in production but complements the great content and vocals. As well as having some amazing groovy tracks.

Lyrics are simple, and the punk-like vocals aren't always for me, but the production on this thing absolutely hits. The drops at the end of the songs and throughout (amazing)

Don't think Earls style is for me, but I do get the appeal and some great tracks on this thing

Was combining The Fame and The Fame Monster a push for more sales?? Regardless, I hadn't heard either, so it was a good little intro into what got GaGa going. Considering I'm listening to this in the big 25, the hits on this record aged really well, while other tracks obviously didn't. Separating the two, The Fame Monster is better in concept, vocal performances (speechless hits), and more consistent, and while The Fame has that 5 song run in the beginning of pure hits, it really ... read more

Good jazz record, don't need to go on a long spiel about it.