the most FUN and catchy album that is simultaneously the most extreme hardcore record ive ever heard. I don't think anything else will top it. Other albums may be louder or more shittily produced, but none will match the cutthroat performances here. They have found the goldilocks zone of extremely noisy and chaotic playing, while displaying as much energy as it sounds like they are putting into it which is rare you find hardcore records that can translate that intensity onto their records. I ... read more

Corny EPIC and THEATRICAL and AWESOME and EPIC and THEATRICAL and AWESOME and heavy metal metalcore metal!

What remains at the bottom of the fruit bowl of Taylor's repertoire of kitschy pop records and tunes? The bloated grape of unforgiving and painfully boring dreamy pop tracks which all accumulate to an hour of wasted space.

Unfortunately the attempts at creating a somewhat more mature and developed soundscape through Taylor blending in Folk music on this record has only deviated her music outside of the Goldilocks Zone of dumb and fun pop music that doesn't require much of a serious listen. What'sleft now is a rather mediocre attempt at washed out and vapid folk and pop music that does not interest me as much as the stupid pop stuff, even if this functions as an attempt of artistic growth from that style.

Taylor (Whatever music, sometimes bad) Swift. Ok album. Lol. Easy digestible pop music that I guess wouldn't' mind if it played on the radio.

Lil Darkie sucks poop. All his stupid shenanigans aside, I don't find most of any lyrical moments here that good or interesting. The instrumentals are a bit more refined and even occasionally catchy (especially the 2 songs that surpass a length of 6 minutes), but Lil Darkie himself ruins every part of the project with his very annoying vocals which sound like they were recorded so cheaply and crappily. What a load of balogna!

Trash corporate garbage along the likes of We Beefin' by Shitdys, oops i mean Penisdys, oops I mean Wendys

I don't get the hate for this record. Seriously, I think the only reason this is mostly hated, is because most people heard YWGWYW and then they decided to come and hear this, expecting more of the same, but they were pleasantly misinformed. No, this is not a great album. The 11 minutes its on, it just goes over in a blur, and it's mostly uninteresting, but it's just incredibly mediocre. No where close to a 1/10, or a half star.

Nuvolascura deliver an incredibly solid and well thought screamo album in an era of the genre's lifespan, where most of it sounds too similar to the influences they pull from: I.E. Saetia and most prominently Loma Prieta, who have spawned this entire chain of hardcore/screamo that has very distorted heavy drums, and big noisy riffs. Nuvolascura are able to create an album style that is much more tasteful than their contemporaries' mostly generic and stagnant riffage and screaming, through the ... read more

pitchfork like a used condom cuz no one wanna fuck with em 😒😒😒😒

Fucking Awesome.

An extreme and intense screamo record which uses synths in a very abrasive and noisy way, maybe akin to a band like The Locust, even though those guys aren't screamo, but rather just plain hardcore. While this record comes close to being a complete and well thought out unique take on the genre, it ends on a rather terrible reprise track of everything that came before it..

underrated. Not the most original screamo album with post-rock influence on it ever, but they do the style pretty god damn well. If you really liked Funeral Diner (I'm pretty sure this band has members of Funeral Diner after they disbanded) and City of Caterpillar, you will probably really enjoy this.

They really schlonged it out of the park on this one

The amount of ironic value is almost palpable

I have been meaning to get to this release for a long time now, probably since it dropped, but now that I've heard it, I honestly wish that I had gotten to it earlier. "Nurture," is a vibrant and colorful dance and electronic experience, one as playful and bright as the cover, and while I can't say this record was entirely consistently amazing for me, I think it's clear the good heavily outweighs the bad here.

Porter Robinson's production here is on point this time around, with ... read more

You Heat Me Up, You Cool Me Down, is King Krule's latest project. A live album, taking many songs from his past 2 records, The OOZ, and Man Alive!, along with some other fan favourite songs in his discography, and giving them a bright and saturated second coat of paint, all packaged into an hour and 13 minute presentation. Archy and his band give fans a brilliant second helping of the original songs while adding additional, but welcome, flavours to the mix in how the band performs, giving us a ... read more

The Beatles have never been a favourite of mine. I always viewed them as a band I could not deny the cultural importance, and influence of, but I never found their stuff all that interesting. I could've opted for a different record recommendation around this time, but I willingly chose to hear this record, as to give a 2nd try at a band who have cemented their legacy as one that will go down in history. Sadly, my feelings of indifference towards them had only been reassured upon this listen, as ... read more

I will hear this soon.

I love funny bad albums. This is just bad, and no funny... It's actually painful how awful and horribly unfunny this is, there isn't even an ounce of ironic enjoyment I can get out of it. It's literally just a waste of time, don't even bother if you're considering it for ironic listening.