I was super hyped for this album upon it’s announcement (I love Royal Blood’s music, their first album specifically) and needless to say, the hype mostly paid off. The bass on here is the best it’s been on any of their albums, especially on tracks like Who Needs Friends, or Limbo and the album’s groovy opener Trouble’s Coming. I didn’t like Boilermaker or Oblivion all that much, and the high pitched vocals on the chorus of Either You Want It was pretty ... read more
This album is pretty good, but nowhere near the heights of Three Cheers For Sweet Revenge, or The Black Parade.
I slept on listening to Phoebe Bridgers for so long before hearing Punisher for the first time, and I'm really mad at myself for that.
ALL THESE MAGIC MOMENTS ARE FORGOTTENNNNNNNNNNNNNNNNNNNNNN!!!!!
legendary album. wow.
I was already expecting it to be good, but like god damn guys.
I'm fucking obsessed with this album. Nouns don't make music anymore, which is pretty unfortunate (the frontman is apparently a bit of a scumbag), but this album, and their second album "Still" is more than enough to keep me around. It's an amazing lofi album that manages to be energetic, melancholic, life affirming, youthful, and depressing all at the same time, and fuses elements of lofi, indie rock, emo, electronica, and noise pop all at once. There is not a single bad track on ... read more
One of my favorite albums of this year so far. Summer 2000 deserves more praise, a pretty good debut album.
This album is gonna have Twin Fantasy type cult status in a couple years, I'm fucking calling it.
It’s almost funny how unbelievably bitter Will Toledo is on this album.
I have no fucking clue why I was so harsh toward MCR for so long. This album is fantastic.
It manages to feel like a short film (exactly how Kendrick intended it to) and tell a complex, heartfelt story about life in Compton.
Create an account to rate and review albums.
Recent Review Comments
No review comments
Advertisement