björk and arca continue to be a match made in heaven.

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original score: 88
no original review

björk and arca are a match made in heaven.

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original score: 89
no original review

there's a lot of brass on here

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original score: 85
no original review

medúlla, as an album, is pretty interesting, with almost nothing but the human voice being the source of its sounds, but it's always felt really gimmicky to me and doesn't have that many engaging moments on it as a result. "pleasure is all mine," "where is the line," "who is it (carry my joy on the left, carry my pain on the right)," and "oceania" are the only songs i really return to.

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original score: 82
no original review

vespertine is the album that, in my opinion, solidified björk as the artist she's known for being today. it's extremely lush and atmospheric and dreamy, but it also feels like she's speaking directly to you, and that's a quality that a lot of her later work has. there's not a bad song on here, too, which is always a good thing.

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original score: 95
no original review

although i enjoy björk's sound on homogenic a lot more than her previous records, the album still suffers because the singles are so much better than the rest of the album. "hunter," "jóga," and "bachelorette" are some of my all-time favorite songs, let alone favorite björk songs, but nothing else on homogenic seems to have that level of quality except for the album's production.

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original score: 88
no original review

post is definitely more mature than debut was, but i don't really see it as a step forward, just a step upward if that makes sense. some of her best songs ever are on this album too, which is good, like "hyperballad" and "it's oh so quiet."

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original score: 88
no original review

after returning to björk's discography, i found debut to be a little boring, but still not bad. "crying" and "venus as a boy" are the best songs on it.

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original score: 84
no original review

for being half an hour long, be the cowboy feels bloated. i'm glad to see that mitski's found a good blend of mellow and noisy, though, especially on standouts like "geyser," "a pearl," and "washing machine heart."

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original score: 85
no original review

puberty 2 is a little more tender than bury me at makeout creek, but that's fixed in the second half. "your best american girl," "my body's made of crushed little stars," and "crack baby" are standouts.

bury me at make out creek was a huge breakthrough for mitski's style, finally incorporating the indie rock aesthetic that she was missing from the start. songwriting is great as always, but now that it's paired with these instrumentals,,, wow!! is this great. "townie," "jobless monday," and "carry me out" are standouts.

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original score: 91
no original review

mitski's sophomore effort still showcases her artistry very well, but it really isn't as engaging as lush was. "shame" is a standout track though.

mitski's lush may be short, but it's packed with her impeccable songwriting and loads of personality. highlights include "liquid smooth" and "brand new city."

yeah, making a door less open does have its flaws, like that a lot of its electronic production that sounds either like nothing or like something you'd make on an iphone app, but i really enjoyed a few cuts from it. "weightlifters" was pretty cool and retro, and "can't cool me down" sounds like a modern version of the buggles and that's a cool aesthetic. "hollywood" and "famous" were also pretty good.

although it's great to see jojo do her own thing, i wish most songs on here didn't sound like an ariana grande bootleg because she can definitely do better. "pedialyte" is the best song on here, and if jojo's sound on the entire album was as hard-hitting as that, good to know would be a better album.

apparently i was following austra on spotify before listening to this? but this is also the first thing i've heard from the group so i have no idea where that came from. anyway, i'm glad i was, because hirudin is a great art pop record and i haven't really heard anything like it recently. katie stelmanis's vocals are really highlighted by the sometimes sparse, sometimes not, kind of atmospheric and nature-ish(?) production, and that's good because she's a talented singer. most of the melodies ... read more

hazel english's debut album—finally!—is really dreamy and kind of just the overall aesthetic i aspire to have, but it sounds too polished at times and, as a result, doesn't hit as hard as her two prior eps. highlights include "born like," "shaking," "off my mind," and "combat."

irisiri is a natural step forward following rip chrysalis. by further erasing the boundary between folk and electronic music, eartheater is able to create an atmosphere that is truly surreal. songs like "peripheral" try to maintain their ethereal soundscapes, but they're then contrasted with much darker pieces like "inhale baby" or "c.l.i.t." it's what folk music would be if we lived in a dystopian future, and it's great.

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original score: 87
no original ... read more

rip chrysalis is such an improvement over metalepsis. not only is it much more interesting, mixing avant-folk with more electronic production, but it's more enjoyable as a result. it cements eartheater's sound as being really, really dreamy and hypnotizing, and that's great. "humyn hymn," "mask therapy," and "petal head" are standouts, but so is the rest of the album.

eartheater's debut offers some really interesting and unique psychedelic folk, but after a while it just kind of wears off. the big standout here is "put a head in a head."

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original score: 68
no original review