Pretty much everything a second album needs to be, it's like Is This It but more emotional, more colourful, slightly better.
Where their debut - from the title's absent question mark onwards - was a kind of energised shrug, their second album is a defiant step forward: the sound of a band at once staying where they ought to be and really getting somewhere.
Room's similarity to its predecessor ultimately bespeaks a purity of vision, not a dearth of new ideas.
A triumph of excellent songwriting and fabulously co-dependant musicianship, ‘Room On Fire’ is the perfect second album: it builds on their early promise whilst developing at a steady enough pace to suggest that they could still get better.
Room on Fire isn't a huge progression from Is This It?, but it stands as a more polished version of the style that the Strokes have always employed.
Room on Fire ultimately proves itself a worthy successor and by far one of the year's best pop-rock albums.
His remarkable performance enlivens even the album's most underwhelming passages.
The Strokes come across as a world-sized band that's tethering itself ... Nonetheless, this record is good.
If you bought the first album and loved it, you'll probably love Room On Fire just as much.
The too-obvious (and too constricted) influences discernible on The Strokes' debut have been smoothed and moulded here into something more uniquely theirs, while the comparatively tight focus of Julian Casablancas's lyrical concerns confirms the initial impression that this albums is a more homogenous offering than Is This It.
He builds atmosphere out of evocative lyrics and emotional scenery, and he does it without leaning on linear narrative or songs with singular interpretations.
Some may gripe that it's never as good as the first time, but Room on Fire shows that even after all that happened to the Strokes, they can still surprise.
They may not be able to get away with milking this formula for many more albums, but for now, Room on Fire's eleven songs find them drowsily getting away with what they do best.
Anyone who invested anything in ”Is This It” is destined to walk away from ”Room on Fire” a little disappointed.
A roaring opener, a trio of great potential singles and a remarkable slow number successfully divert attention from the fact that half of Room on Fire is uninspired filler.
The only gripe I have with this record are the long silent sequences between songs.
โจReposting my old reviews with MORE detail #3โจ
Oh Boy!
If I could experience this album for the first time again, I'd be extremely thankful to god!
'Room On Fire' is an amazing follow-up of 'Is This It', it's basically a cousin to this album aswell.
Shortly after 'Is This It''s release, The Strokes were under pressure of delivering an album that would be as good, as the debut... Fun fact, this album would be even better if RCA would allow them ... read more
BAND BINGE: THE STROKES (PART 2WO OF 2WENTY1NE)
'I want to be forgotten and I don't want to be reminded.'
This album is the perfect breakup album.
Coming hot, and I mean HOT off the trails of their tour of their debut record (Is This It came out 2001, they toured relentlessly for a year, and in 2003 this came out. Fucking how.), The Strokes wanted to sharpen up their sound. They wanted more experimental mixing, sharper instrumentation, more heartfelt writing and clean cut production for ... read more
every bit as good as is this it. the only problem is the silence between the songs
| 1 | What Ever Happened? 2:49 | 92 |
| 2 | Reptilia 3:39 | 96 |
| 3 | Automatic Stop 3:27 | 89 |
| 4 | 12:51 2:33 | 90 |
| 5 | You Talk Way Too Much 3:06 | 86 |
| 6 | Between Love & Hate 3:16 | 83 |
| 7 | Meet Me In the Bathroom 2:56 | 85 |
| 8 | Under Control 3:07 | 87 |
| 9 | The Way It Is 2:21 | 80 |
| 10 | The End Has No End 3:05 | 89 |
| 11 | I Can't Win 2:42 | 89 |