Tim Hecker - Virgins
Critic Score
Based on 26 reviews
2013 Ratings: #39 / 1080
Year End Rank: #30
User Score
Based on 618 ratings
2013 Ratings: #9
Liked by 32 people
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A.V. Club

Although the title might initially convey innocence, Virgins conceptually hovers around the seductive nature of evil that coexists with the purity of goodness. Hecker achieves this careful duality by pairing disparate elements, such as a penetrating drone interrupting a delicate set of piano chords.


As much as a ton of work goes into his records, both sonically and conceptually, it never stops Tim Hecker records from being tremendously exciting and enjoyable, and from feeling like Hecker is enjoying himself. That’s not to say Virgins isn’t a serious, complex, often challenging work; it’s all of those things.


It convulses with a sense of limitless possibility; it rolls up everything Hecker has done before this and, as is his wont, pulverizes it into a fine mash. What's new is the thing he molds from the dampened ashes.

The Needle Drop
Canadian music producer Tim Hecker returns with a stunning collection of tracks that make for some of the most beautiful music I've heard this year.
The 405

When before we had anonymous landscapes and lonely rides through unknown dystopias, we now have an identity, purpose and meaning to the bleak and emotional sounds, and it's really quite astonishing.


Hecker’s music has always been eerie, but never this forceful. Some sections of Virgins feel like soundtracks for horror-movie climaxes when the camera fixes on a sickening image and refuses to turn away, fascinated and trapped at the same time.

FACT Magazine

This volatility is Virgins’ most intriguing feature; where on previous albums you would expect Hecker’s songs to soar, now they teem with internal energy. The result, unexpectedly, is his most ambitious record yet.

Drowned in Sound

Another essential release then, but a step towards theory-over-content that Hecker never really needed.

The Line of Best Fit

The layers of noise, which at first may seem intimidating, are so harmonically rich they immerse the listener as the sounds interact creating new and unexpectedly mellifluous sounds.


Hecker's sound signature may still be instantly recognizable, but there is no denying that he has moved significantly farther down the path toward something else with Virgins.


Brief Review: Not one to be all that critical with ambient works, but this was still so damn great. Some damn great ascending moments on here that brought me many out of body experiences. I will say, its prob not the greatest ambient album I've ever heard before, but even still, this was pretty damn great!



I'm not even joking... this feels like what you would find if you searched on YouTube; "Lucid Dreaming" and found a song that was an hour long


Tim Fucker goes for a massive, piano-rich alternative alongside his ambient roots and hollly shhitt is it beautiful! On top of "Virgins" being his most beautiful and expansive-sounding project to date, it's also a powerful trip where I feel like I'm floating through a crystal-infested galaxy with a blue-ish hue.

Fav Tracks: Virginal I & II, Black Refraction, Live Room, Stab Variation, Live Room Out, Prism, Radiance, Stigmata II

Least Fav Track: Incense at Abu ... read more


1000th revisit lmao.


dark ambient silent hill type of beat


This was basically flawless, every track played its part in scaring the shit out of me and making me imagine these creepy scenarios similar to the album cover. This is, by far, the most chilling album I have ever heard but also, one of the most beautiful I have ever heard.

Fav tracks: Prism, Virginal I, Radiance, Live Room, Virginal II, Amps Drugs Harmonium, Stigmata II, Stab Variation

Least fav track: They are all amazing

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Added on: July 17, 2013