I like Bishop when he's silent, I don't like Bishop when he acts vocally capable. For fans of The Residents
"Pain Stretcher" seems to me like a bunch of sketches/demos and live improvisational sessions (i.e. not fleshed out ideas) thrown together without rhyme nor reason in one unnecessarily massive album. I mean, I love monstrously gargantuan records as much as the next guy (Nine Inch Nail's "Ghosts I-IV", Today Is the Day's "Sadness Will Prevail", death's dynamic shroud.wmv's "DERELICTメガタワー", The Caretaker's ... read more
It may sound a tad naïve here and there, but I guess that's exactly what makes it charming and endearing: doom metal's baby steps, which now I realized could've easily been called just blues metal, if the metalhaeds weren't too edgy. "Planet Caravan" and "Rat Salad" are amazing deep cuts
Had no idea how amazing of an MC she is! Far from a brilliant lyricist, though
Every track follows the same pattern of being this same repetitive "ambient" noise soundscape broken off by a couple of seconds of harsher noise in the second half of the runtime (either close to the end or around the middle), with that former segment continuing abruptly right away. For fans of Prurient's "Troubled Sleep"
Sigh, indeed; totally not surprised that this dad metal-adjacent record is in the AOTY's top 5 avant-metal records according to the critics
A solo wind instrument playing/improvising over a rhythm section?! Never been done before, so revolutionary!
Came here after the Grammys performance and I hate to admit that these original studio numbers have nothing to do with the energy she served live. Real feel: 67 minutes
The field recording source material is not too exciting, but the second track is typically marvelous Matmos by the numbers