Jan 18, 2019
90
I thought The Color In Anything was a masterpiece. This is just something else. Album of the fucking decade. I can't write a proper review right now, I am just overwhelmed.


I am tryna do homework right now, and I just cannot concentrate while listening to this album. It is just so fucking beautiful - what is happening
Oct 22, 2018
95
If anyone knows how to utilize silence, it is Mark Hollis
Oct 14, 2018*
75
Watch your limbs suddenly twitch in tandem with the beats, just instinctively surrendering themselves to the urge to dance. Every cell of your body is dancing to this. If you turn this up loud enough, your neighbor will be dancing to this. When you leave the house you might even see your neighbor all flustered trying to desperately shazam the tracks through the door.
Sep 7, 2018
0
purposely trash trash
Sep 5, 2018
25
This is so sad, Alexa play MMLP
Sep 4, 2018
85
So many important messages in this album!

At times dark, and at times inundated by aggressive - yet very well-written - socio-political commentary. Joy as an Act of Resistance is a treasure. Joe Talbot and his band are treasures.

Danny Nedelko is an instant classic.
Aug 27, 2018
80
Hot Pink, It's Not Just Me, and Falling Into Me are all tracks that set the tone for a synth/electro-pop record with powerful and meticulously well-layered production. Yet, the first half of the album feels underwhelming due to some arguably dull lyricism. The second half of the album manages to elegantly break down this barrier of superficiality that plagues the first half of the album. The post-rock-esque build-up in Cool & Collected, the sound of rain slowly coming into the foreground in ... read more
Aug 15, 2018
70
An exercise in worldbuilding and, as cliché as it sounds, teamwork. The list of features on this album is comprehensive and some moments, like James Blake on STOP TRYING TO BE GOD, are a testament to the skills of the artists involved in this project.
Jun 22, 2018*
75
Despite often bordering on cliché lyrics (see: Hurrah) and some jarring moments that more or less remind me of Cage the Elephant (which I wouldn't personally say is a good thing), Iceage manages to impress with expansive pieces like Painkiller, Take it All and Catch it while falling short in songs like Under the Sun and The Day The Music Dies. Most of the shortcomings of this record, I feel, are because of the lack of vocal versatility from Elias. Songs like The Day The Music Dies are ... read more
Jun 21, 2018
90
First listen: I'm feeling some Exmilitary has seeped into YOTS. The distorted guitars, in particular, are amazing. This definitely requires more than a few listens, but god is it good so far.
To summarize before I actually write my review:

Fantastic tracks: Dilemma, The Fear
Great tracks: Streaky, Black Paint, Hahaha, Linda's in Custody, Disappointed, DG is Online, Disappointed, The Horn Section, Outro
Meh tracks: Little Richard, Flies
Poor tracks: Shitshow

I'm not going to pretend like I ... read more
Jun 20, 2018
75
Overall, a notch up from "Masterpiece" and a conceptually much grander and expansive record. The song structures can become quite repetitive, but this is alleviated by intelligent and powerful songwriting. A trademark we have come to know Adrianne Lenker for and who has become much more articulate since "Masterpiece", weaving clever symbolism into some of the bleaker and mellow songs. Watering and Great White Shark, in particular, stand out for me as songs that have much ... read more
Jun 20, 2018
70
Adrienne Lenker is an incredible songwriter. The tracks are definitely your classic run of the mill indie rock, but Adrienne Lenker stands out in her voice and eloquent songwriting.
Jun 9, 2018*
30
I started listening to this right after listening to Parquet Courts' newest record for the fifth time and, in the most metaphorical sense of the word, I went totally flaccid.

"Died and came back twice. Now I'm Free. I don't feel pain anymore." Kid Cudi's depression and suicidal tendencies (I assume that's what he is referring to) are reduced to three sentences that end with a long drowsy and frankly disturbing "freeeeeee". And they have the audacity to call this "Ghost ... read more
Jun 4, 2018
75
I really don't remember him singing so well what the shit. Anyways, I gave Pure Comedy a score in the low 40s or mid 30s - something like that. This album, however, is a complete 180. WOW
Jun 4, 2018
70
As self-absorbed, lyrically incoherent and artistically exhausted as always, Kanye is back with a record that reeks of the same self-image issues that manifested themselves in TLOP. I Thought About Killing You is Kanye's current mental state exemplified as clearly as possible - and it should not come as a surprise, it is the exact same Kanye we see on Twitter. I find that deeply disappointing because a part of me wanted to believe that Twitter-Kanye was a pure PR stunt made to boost sales and ... read more
Apr 6, 2018
60
The surface level exploration of futuristic dystopian horror scenarios in Sex & Food is so cliché and half-baked. Multi-Love was a bombastic and groovy record full of witty lyricism, an exploration into polyamory completely devoid of pretense and hyperbolic imagery. I mean, in Sex & Food the lyrics are barely intelligible. Hopefully, this album just represents a brief detour in UMO's otherwise stellar discography. The production definitely feels more bloated and rough around the ... read more
Apr 4, 2018
80
Extremely potent mix of different music genres and influences. Have been listening to this on and off for a few years now and it still maintains its freshness.
Apr 2, 2018
80
The whole "Everything's Fine" concept is so well executed. This is by far the best hip hop record I have heard in a while.
Mar 31, 2018
65
Vessel consists of much grander arrangements that reek very little of the lazy youtube bedroom pop that defined Frankie Cosmos' two previous albums. The shorter tracks are built around powerful and emotional refrains. The longer tracks feel so much more refined and are elevated by clever songwriting. Greta Kline still has a lot of growing up to do, but I think that is a point she makes herself on the album.

The longer tracks on this album are a testament to the ability of Frankie Cosmos to ... read more
Mar 31, 2018
50
Abel is 28 years old and he still sounds like a teenager. I do not even want him to return to the days of Trilogy, I would just like to see him grow up.

This is miles ahead of Starboy in terms of production, but not even Nicolas Jaar can save this one.

Best track: Wasted Times
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Recent Review Comments
On #HackAOTY.com's review of Idles - Joy as an Act of Resistance
"I can see your point regarding no subtlety - I guess it comes down to preference whether you like brazen protest music or something that is veiled under some smart symbolism. But saying the politics is conveyed in an unsophisticated way would be doing the album an injustice. "
On #HackAOTY.com's review of Idles - Joy as an Act of Resistance
""fighting for someone else's cause" lmao isn't that what like half of all protest/politically charged music does? The artist conveys the emotions (anger, feelings of injustice, helplessness due to being trapped by dogma) of those that are not able to express them themselves - those that are not able to properly fight for their own cause. People that aren't exposed to injustices to the same extent as others can still fight against it. but "omg reddit xd amirite" "
On Kids See Ghosts - KIDS SEE GHOSTS
"yeah not a good way to describe it, I realize now after a few listens. There is a difference between talented production and good production. I acknowledge the immense talent behind the production, but I do not agree that the album is in any way a fulfillment of that potential. I am happy to have strangers like you to tell me I am tonedeaf, though, lmao. You definitely got me there. "
On dyelir's review of The Voidz - Virtue
"I didn't even know that lmfao. But yeah, I kinda assumed this was a before-I-review-it-witty-commentary, because I would never imagine using the word 'traditionalist' to describe this album."
On dyelir's review of The Voidz - Virtue
""C-grade" "tradionalist" You actually listened to the album in its entirety, right? "
On thomasuic's review of Mount Eerie - Now Only
"weyes blood"
On exception's review of A.A.L. (Against All Logic) - 2012 - 2017
"This is a very accurate and concise description of my thoughts about this album. Stellar record, no doubt, but I completely agree, I would not have listened to it had it not been for the attention it was getting."
On annpearson's review of Car Seat Headrest - Twin Fantasy
"trollllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllltrollllllllllllllllllllllllllllllllllllllllllllltrollllllllllllllllllllllllllllllllltrollllllllllllllllllllllllllllllllllllllllllllltrolllllllllllllllllllllllllllllllllllllllllllllllll"
On johnlisi's review of Car Seat Headrest - Twin Fantasy
"It was to make space for the remastered version!!!! Check out his spotify again ;)"
On unknownpleasure's review of Shame - Songs of Praise
"holy shit"
On Zukq123's review of cupcakKe - Ephorize
"it's okay, I didnt like it either"
On Sashkacobain's review of cupcakKe - Ephorize
"Omg yas sista, you go gurl! xD"
On Björk - Utopia
"I am planning on writing a more in-depth review later on, but I advise you to check out the Independent's scores this year. They are contrarian for the sake of being contrarian trying to cater to audiences daft enough to read their all-around shitty newspaper. "
On SaulCLRadiohead's review of Björk - Utopia
"good criticism"
On SaulCLRadiohead's review of King Gizzard and the Lizard Wizard - Polygondwanaland
"that's my exact question to your score"
On 先生's review of Milo - Who Told You To Think​?​?​!​!​?​!​?​!​?​!
"Also something I have been thinking about lately. On "So The Flies Dont Come", he actually like a relatively smart guy who watched a bit too much anime. Now though, he is completely off the grid, giving people flak for daring to just TALK negatively about his album. He told a guy on twitter to "shut the fuck and appreciate the beats" or something like that. I'm pretty sure he deleted it later but wtf. "
On JustAReflektor's review of Daniel Caesar - Freudian
"how do you know it's a triangle on the album art? You cant see the bottom of it"
On VinylHound83's review of (Sandy) Alex G - Rocket
"It is sort of strange, which could explain why people find it so interesting. I agree with you, though. Pretty overrated in my opinion."
On Low Roar - Once in a Long, Long While...
"@ecorunner What is the statement of the album? Your critique is purely based on the notion that I did not "get" the statement of the album. Yeah, it is a breakup album and an attempt to move on, sure, but that is the vaguest description of an album you can give and can be applied to sooo many albums. It is a dark album, true, but purely for the sake of being dark. "
On Valeron21's review of Kendrick Lamar - DAMN.
"the interlude is a 100 in itself lmao also, how does 80 constitute an average record?"
On exception's review of Kendrick Lamar - DAMN.
"Sometime as an artist art comes at u fast, and i believe he made this album like a mixtape n the process hearing the random shoutouts the album display by the dj. Thats what i think he was going for. Its supposed to b straight n your face. He made it commercial like a typical mainstream album while keeping the weirdness in ratchet in the music. He also dumb down the lyrics to put his message straight forward with the listener we he goes into his religious beliefs, and frustrations, and questions"
On Kendrick Lamar - Humble
"I think the fact that you didnt like the heart part 4 as much as I didnt like Humble, shows that our taste for hip hop is different. Maybe just leave it at that? Because just saying "your opinion is bad buhuu", says more about you than it does about me lol"
On Jesca Hoop - Memories Are Now
"agreed"
On siberianbreaks's review of King Gizzard and the Lizard Wizard - Flying Microtonal Banana
"So yeah, I'd say they went all out on the Turkish theme"
On siberianbreaks's review of King Gizzard and the Lizard Wizard - Flying Microtonal Banana
"Damn, it is not because I consider myself an expert in Turkish music, but having been raised with Turkish music, I have to disagree. In fact, if you took the lyrics away, I would have thought this was a psychedelic rock band from Turkey in the 70's or late 60's. It has the flutes, the baglama-sounding instrument they made. The only thing is missing is the structure of a Turkish song. And that's not even completely true, Rattlesnake is for one very reminiscent of how a Turkish song is structured."

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