I feel very similarly about this- and really most of First Aid Kit's stuff- as I do about the Noah Kahan album. The vocals and production are super slick and great, and I 1000% understand why their music appeals to so many people- but I just do not enjoy the writing. There are some great moments on this record but generally I was pretty bored with this
Honestly one of Mac's best crop of instrumentals to date. You can definitely tell this thing is from 2015 just based off of the sound and how far it strays from his more modern instrumentals- the instrumentals are far more 'weird'. Miles better than Five Easy Hot Dogs and a really pleasant surprise drop for the day
Definitely the most immediately catchy and melodic of his stuff, as well as his most rock-leaning. I don’t like it quite as much as Break It Yourself or Noboe Beast but it’s damn close, honestly I think this is best record to listen to for those first getting into his stuff just bc of how accessible it is. Fantastic
This I feel like is generally considered to be his best work, and even though it isn’t quite my favorite of his I can understand why it’s a favorite for others. This is easily his most eclectic and ornate sounding project that’s for sure. The way he blends his signature songwriting/whistling mix with some more electronic leaning production is fantastic, and tracks like Fake Palnindrome and A Nervous Tic Motion are genuinely stellar tracks
Definitely Andrew Bird’s most folksy project but in a very, very good way. Of what I’ve heard of his stuff thus far this is probably my favorite. This project combines his incredible, alliterative and almost riddle-like writing with sprawlingly beautiful acoustic production. My fav song of his Tenuousness is on here but honestly nearly all of these tracks are just phenomenal, one of the most underrated folk records of the 2000s easily imo
A really interesting way to structure a project. The title track is absolutely phenomenal
The writing isn’t as good as My Finest Work Yet but holy damn the instrumentation here is so incredibly superb that it makes up for it. The combination of plucked violin, beautiful orchestral arrangements, and his freakishly on tune whistling makes for some of the most lush and blossoming instrumentation I’ve heard in a while
The way Andrew Bird both sings and writes is incredibly subtle- a lot of these tracks have writing that requires a lot of introspection, and vocals that are, at first, somewhat messy sounding. But, over time, the orchestral production, plucked strings, and frankly just absurdly talented whistling from Bird captures the listener. I enjoyed most of these tracks quite a bit, with standouts like Sisyphus, Bloodless, and Proxy War standing out particularly well. Excited to listen to the rest of this ... read more
I definitely want to be fair and give this album credit where credit is due: His vocals are genuinely incredible, and the way in which he writes about truly relatable situations is great. Not only that but tracks like the title track are incredibly catchy and honestly quite enjoyable. That being said, I just personally cannot enjoy listening to him very much. He writes folk music in the way of modern country music- surface level troubles but done over with folk instrumentation as opposed to ... read more
This fellow has a fantastic falsetto and some superb writing, that much is inarguable. But, as many others have said, his similarity to Sufjan is so similar that it’s genuinely distracting. I think I’ve listened to A Beginner’s Mind so many times that hearing just Angelo’s voice feels empty almost? Idk that’s not entirely fair to him but either way this is certainly not a bad album, just feels empty
My gosh the vocals on this thing at some points are so grating and obnoxious that I just cannot listen to it, which is unfortunate because there’s sprinkles of greatness in this
Perfectly fine production, vocals, and writing but idk next to nothing about this album really grabbed me
Phoenix is an utterly incredible track and is the closest thing we have yet to a Fleet Foxes x Bon Iver collab and that is incredible. Unfortunately apart from a handful of nest production ideas and Bon Iverisms the rest of this record really fails to live up to Phoenix even remotely
This thing reminded me of Portishead mixed with the velvet underground, which made for quite an interesting and compelling listen. The first half is undoubtedly better than the second half and by the end I was really struggling to stay engaged, but the production is so interesting and the lyrical highlights managed to still hold my attention. Def an underrated little project
The vibes here are off the charts, butter smooth guitar mixed with genuinely god-tier drumming makes for such a lovely mix for the ears. The track w Freddie Gibbs especially was mindblowingly great
This thing honestly completley blew me away. I was expecting a subpar, maybe even cringe metal album but damn this thing ruled. The high points on this thing are astronomically high and epic. The playing is on point and the vocals fit the theme of the album’s fantastical nature so well- this album feels like a Judas Priest fantasy album which to me is so sick. Easily my fav metal album of the year
The fusion of Pop-Punk and Math Rock that’s present here is honestly a really cool concept, and tracks like the opener really nail this idea. Unfortunately though I think more often than not this album relies on just off-kiltered noise and weird vocal melodies to carry it through. Still an entertaining listen nonetheless
Slick production with really uninspired vocals and writing. Nothing bad by any means just quite bland
Some pleasant guitar tones and beats but generally highly uninspired and bland, reminds me of a Dominic Fike album