Such an enthralling meld of industrial rock with some seriously danceable beats. A couple tracks don’t really go anywhere and some tracks meld together in sound but generally speaking this album absolutely rips, hugely surprised by this as this is normally not my type of thing
Parts of this EP are so similar in sound and vocals to Ants From Up There that it’s a major distraction. That being said the last two tracks definitely manage to differentiate themselves quite a bit more, and the sax solo on Tinker goes so damn hard. I could def see a full LP from these guys being amazing
I like how some of these tracks feel a lot more concrete mixed in with the abstractness, but a few of these tracks still just feel random and noisy for the sake of it and really mess up the flow of the album to me. Still, I slightly prefer this to A Quiet Farewell I’d say and I really think he could make a truly amazing album if he really fine tuned how he utilizes the abstract
This album feels like evil incarnate, it’s got to be the most intense and disturbing album I’ve ever heard or at least one of- specifically the closer is genuinely terrifying. That being said, noise rock is one of the few genres I really struggle to get into. I can undoubtedly appreciate how damn impressive the scale of this thing is and how damned harrowing it sounds, but for me personally I don’t think I’ll ever revisit, at least in full. Still, I’m def glad I ... read more
Some decent production and ideas but the vocals are so rough and bland that it’s hugely distracting, plus some production ideas just do not land like the beginning of Video which is just grating honestly
I’ve never listened to anything from Sampha before but DAMN do I need to because this was excellent. Such buttery smooth vocals and production, feels like you’re on a cloud when listening. Easily my favorite R&B record of the year
EDIT: 88->94
I listened again and honestly I think I just barely prefer this over Process. There are still a few lulls but the highs on this record are just astronomically high, such a groovy, introspective listen that I think perfectly ... read more
Such an interesting idea and aesthetic that is nailed for the most part. This isn’t nearly as explosively terrifying as SINNER but is honestly a bit more disturbing and harrowing, especially the final track. There are some moments that come across as a bit heavy handed, like the cheeky hymns, and a couple tracks that I feel fail to really go anywhere, but when this project works, it works VERY well. Incredibly disturbing
Purely musically this album does not deserve a score this high, but I can’t lie I had a lot of fun listening to it. Despite the band’s age this is arguably their most high-energy, fiery album to date which is baffling honestly. There are a couple definite duds and none of the other tracks come even somewhat close to as good as Sweet Sounds of Heaven, but this is a befitting final (?) album from one of the most legendary rock bands ever. Fun time π
The way in which Laura Marling writes and her timbre reminds me of a modern-day Carole King, which would probably make this a modern-day Tapestry, both in style and quality. The production isn't anything mind-blowing but it deliberately isn't- there are so many tasteful moments of colorful production that serve to only highlight Marling's amazing vocals and lyricism, never outdo them. I think there are a couple slightly weaker tracks like Blow By Blow, but overall this is a magnificent ... read more
Nothing immediately grabs but the incredibly songwriting and relatively simple production become more captivating with each listen. I also love the way the vocals are layered. Incredible track
Honestly these tracks are so great this EP feels more like a sequel than leftovers, with some of these tracks being better than some tracks on 3D Country. So much fun, I hope so badly that Geese continues to make projects like this in the future
Such a magnificently boisterous listen, a fusion of genres I truly don’t think has ever been done before, at least not to this extent. Apart from Undoer I think every track here is incredibly captivating for just how weird, raunchy, yet smooth these tracks are. Easily one of the best of the year and def one of the best modern alt-country albums, period
This has excellent production and writing but idk I just cant gel w earl’s flow here, he sounds like he’s halfheartedly trying here and it’s frustrating
Holy hell this thing rips. I love how tight and punchy every track is, the shorter runtime of each track really helps the frenetic energy of the record. Some of these tracks sound genuinely unhinged in a disturbing yet cool way, very pleasantly surprised
This is probably the biggest bastardization of a beloved work I’ve ever heard. This is one of those so bad it’s funny albums which is why I have it 5 points but musically it absolutely deserves zero