This album is “bitchin’”
I’m such a sucker for bass clarinet. Even though I’m not the biggest fan of the funkier tracks, the atmospheric tunes on the B side with heavy percussion and minor modes are so so good.
Cancelation is phenomenal plus very early Tolliver and Hancock not to mention Cecil McBee and Roy Haynes playing in a whole nother sonic dimension.
So meandering and unfocused. Feels amateurish even thought I know he’s great at his craft.