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weird album. feels like a greatest hits collection at times, where songs are deliberately engineered to sound like they're from Encore, Marshall Mathers LP, or Relapse. It tricks you into thinking in the first half that it's a shallow attempt at provoking outrage like 90s Em, but in the last few tracks reveals itself as probably Marshall's most complete self-reflection he's done in musical form.
Guilty Conscience II was, from the title, not my most anticipated track. It is ... read more
yachty invented music and told the world squidward plays a flute absolute legend.
It's hard to remember now just how unusual and avant-garde this sounded in 2015.
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Member since March 19, 2023