With the creative sampling of Kanye West and the genius flow and style of Kid Cudi, the two bring the best out of each other.

Daniel Caesar offers insight on the complex and difficulties of love, emotional distress, and his other predicaments using a style similar to Frank Ocean yet reinventing his own sound to make it original.

If it wasn’t know before this, it’s confirmed now as Madlib reassures he is the best producer of all time with the help of gangster accompany Freddie Gibbs. But the show isn’t just the luxurious beats, it’s the deep violent stories of the narrator, Gibbs himself who does what he accomplished again on Piñata.

Lil Nas X uses his new found fame and popularity from his original single ‘Old Town Road’ to create a new exciting EP using elements from alternative, country, and hip hop music scenes.

While his message is clearer than most SoundCloud artists making him more tolerable, his basic trap beats don’t do anything but make you wanna tune out as if you’ve heard it a hundred times before.

Besides the god awful garbage piece which is ‘Shotgun’ Future gives an enjoyable EP of him dancing with his demons and wanting to be a better person eternally.

Infused with Denzel’s anger and usual energy he brings to the mic, ZUU presents itself as a mix tape for his new project coming soon.

Better than his last album, but YG had the opportunity to recreate one his previous successful projects through story telling and gang violence but didn’t capitalize.

Tyler, the Creator delivers perhaps his most sound album yet with amazing use of instrumentals and giving his character of ‘IGOR’ a story arch and character development making it ultimately impossible not to fall in love with this project.

Seductive, sweet, and aggressive. Megan Three Stallion packs her souther style into a tight 40 minutes giving a taste of her life.

Interesting, new, and innovative. Injury Reserve gives a solid album that pushes them to mainstream attention with underground sound.

DJ Khaled threw a fit because this didn’t make number one? There’s a reason why you cannot just put together every trending artist in one genre and feature them on a random instrumental. This is not good!

The more logic drops projects and singles, the more he seems to loose touch with his once skillful talent. This comes across as average produced with questionable lyrics about how he must talk about he’s the best and how everyone hates him.

While it doesn’t hold up to his other albums, CrasH Talk gives ScHoolboy Q the new look of a retired gangster and does well at that with songs like ‘CrasH’ and ‘Attention’.

Kevin takes a break from Brockhampton to create his own art giving us a current picture of the life he lives in now.

After dropping Oxnard in 2018, a brilliant more violent side of Anderson .Paak, he comes again with softer R&B beats and soul hitting melodies on the newest project of Ventura.

While the first half seems promising with pretty, unique trap beats, the second half falls apart with more annoying features from NAV, Vory, and Torey Lanez.

Cringey, lazy, unlistenable, Nav does it all in his newest LP!

Juice WRLD fails to claim the same attention he did on his freshman album with flop album and no hit singles.

Little Simz does something incredible telling her truth into beautiful acoustic beats that sound smooth with her voice.