Triste y vacía: 89
Vigilante: 100
Juanito Alimaña: 89
Pasé la noche fumando: 89
Thought the first song was good, but the rest of the album was seriously gorgeous. Will definitely be relistening. Favorite Sade project so far
French Exit: 78
Fog on the Hills: 77
Evening Colours: 77
Sunny Afternoon: 76
Who's the Envelope-Man?: 75
Regret Everything: 75
Confidential Information: 78
Another Artichoke: 77
Cloud Winterland: 75
We Melt: 78
Lost in Nights: 77
And You're Wondering How a Top Floor Could Replace Heaven: 82
A Heart Filled Reaction to Dissatisfaction: 84
Minute-Hour-Day-Week-Month-Year-(The Faiths in My Chest): 83
Fucking Hero: 82
When Was the Last Time We Painted Over the Blood on the Walls?: 88
A Little Change Could Go a Long Ways: 87
Maybe They'll Gnaw Right Through: 86
I think I'll be able to make better judgement when this is on streaming and I'm not associating this directly with the visuals (which btw were also great), but this could definitely go down as one of the best technical achievements in music this year.
America: 77
Trouble's Lament: 76
Wild Way: 75
Wedding Day: 74
Weatherman: 76
16 Shades of Blue: 72
Maids of Elfen-Mere: 72
Promise: 74
Giant's Rolling Pin: 71
Selkie: 70
Unrepentant Geraldines: 73
Oysters: 73
Rose Dover: 72
Invisible Boy: 74
Had to rate this single bc it's just such a crazy song. The vocals in the first half as well as the percussion are some of the best/most interesting of Kristin's career. Also, the entire final segment of the song is just miraculous.
"I couldn't find the words so we settled for, 'I love you's' instead" :(
Insane lyrics, beautiful vocals, and super cool soundscape.
Hag: 90
Hole and Corner: 88
Swingset in The Sand: 86
Nameless: 87
Argonaut: 90
I’ll Never Gleam Like You: 88
Farewell From Echo: 86
Kira: 88
I Want You To See Me Now: 87
The Doll on Bowery: 88
Unfortunately, this is my least favorite PJ album. Fortunately, she is still a very talented artist delivering a satisfying and enjoyable collection of songs with some of her nicest vocals yet
Some goofy lyrics and odd sounding vocals at the beginning, but it's very enjoyable and a promising start to the album rollout.
New Gate: 89
Nagisanohito: 88
Ahonooh: 83
Sutekichi: 84
Hikoki: 86
Unbelievably vibey. Will be frequently relistening to this.
I'm Shadowing You: 89
Saving My Feelings for You: 88
Sunday Afternoon: 88
Somebody New: 89
I Like You, You're Nice: 88
Baby, You're My Kind: 88
Home: 88
Hey John: 87
You Have Lived in Autumn: 87
Flame to Fire: 88
You Moved In: 82
Somewhere In The Night: 83
Lize: 78
Spread Your Bloody Wings: 84
Carmelite Light
Everything You Touch Becomes a Crutch: 76
All Your Women Things: 85
Whistling Teapot (Rag): 82
Four Hearts in a Can: 80
Hangman Blues: 77
I used to listen to this album quite a bit but it's been many a year since I last heard it and it holds up. Some of the songs aren't super memorable, but the production is consistently nice.
Somethin Out of Nothin': 84
Chasin Rhymes: 83
Bustin Loose: 83
Divided: 81
Chasin (Afterlude)
Around the World: 75
Sweet Music: 77
Impediment: 76
I'm Fine (Interlude)
Free: 79
Spread Too Thin: 81
Toasted: 76
Where Are You?: 83
I thoroughly enjoyed the last 4 King Gizz albums (those are the only ones I've heard), but I never thought one would work as well as this does. This album was just a blast from the get-go, like a 50 minute shot of pure energy. It went so hard and sounded great every second of the runtime. I'll relisten before I get too decisive, but this is likely my favorite album of the year so far.
Fight on the corner: 89
Hamachikaze: 89
a song for one: 88
Dust song: 87
Nakajimazaimokuten Co. Ltd.: 88
P-Chan - Rearrange: 87
We are a Fisherman Band: 89
a theme for Inuhime - Part 1: 88
a theme for Inuhime - Part 2: 90