If we are talking about the way this album ‘sounds,’ it’s the best thing Eminem has made in over a decade. The beats are neat, the samples are creative and his flow is refreshingly simple and back to basics. He sounds much more comfortable and relaxed on this album and it sounds so much better compared to his work in the 2010’s.
What keeps me from liking this album are the lyrics and attitude this album has, which is the forefront of the whole album. Now, I can care ... read more
Not sure if I dig the sythns. Sometimes, they rule and it sounds like an underwater level in a 90s platformer.
Other times, they get annoying and overpower the rest of the instrumentations. I think it’s cool that Krallice is experimenting and it works in some degrees here, but there is still some fine tuning to be had with this sound.
This goes back and fourth between painfully mediocre and CRINGE. Jax is competing with AJR with making cringe Disney music, but it advertises to girls under 14.
I will say, there are a few nice moments in this album. The Adam Sandler interlude and like my father songs were kinda cute and wholesome, but they have their own weird lyrics and similar bad production and mixing. They were the few breaths of fresh air in this album of mostly cringe and blandness.
This has quickly become one of my favorites from this year. It’s so weird and odd, yet beautiful and grounded. This album just oozes creativity and reminds me how much I love it when artist just go hog wild.
It’s lit!
Agalloch is a band I’ve been trying to sit with for nearly four years. I’ve always appreciated them from afar, but never really delved into any of their albums in full.
Now that I have, this shit is GOATED in the genre.
Who has done more damage to the Latin community? CIA proxy wars or Camila Cabello?
GOATED Beatle fr he just makes wonderful music without yapping about it I fuck with this heavy.
Look, I’ve been going a bit easy on post metal as it’s a genre I haven’t been to familiar with. Alcest was a band I’ve seen high praise for so I decided to check them out and found some enjoyment from, but nothing too notable.
This album still doesn’t change that. I found that this album sounded very thin and really didn’t have the sonic depth a lot of post rock or shoegaze has. It’s sounds like it’s afraid to overwhelm the listener and never ... read more
I don’t know what’s more perplexing to me. The fact that this doesn’t sound half-bad, or the idea that Taylor Swift looked at this album cover with her hair like that and went, ‘that’s pretty good.’
This album really isn’t to bad. Even though it’s trapped in 2000’s era pop country, it’s some of the more memorable pop country of the time and actually has some charm to it, even if it does feel a bit fired at times.
While I’m unsure how often I will sit through this entire album, this is a landmark deathcore album and quite possibly the best produced album the genre has ever seen.
I had to do a double take when I put this on because I thought I put on a Taylor Swift song by mistake.
No, she just sounds like a copy and paste of folklore era Taylor Swift, but without any of the instrumental or production depth those albums had.
Literally just a dollar store off brand trying to capitalize on people mistaking her for a better musician.
Album cover sucks as well.
When looking at a bald person, when does the forehead end and the head begins?