Ed Balloon - The Dubs
70

feels like it's at the edge of being boundary pushing but falls into the traps of bedroom pop

Sons of Kemet - Black To The Future
75

yeah uh this one is uh less good than the last one. yeah.

95

kick ass punk. its like that "break core be like" meme but like when you actually listen to the music and not just scroll on tiktokreels

Xiu Xiu - Dear God, I Hate Myself
88

YMO if they were fucking miserable

Little Women - Throat
92

Truly boundary-pushing, creative, unconventional jazz. The variety of textures and sounds going at almost all times is nearly unfathomable. Probably too challenging for most. The total refusal to conform to any traditional ideas of melody and cohesion is awesome. Yet there is still understandable rhythms and progressions. The clattering guttural soundscapes are truly inspiring artistically and enjoyable the more I absorb them.

Hozier - Hozier
68

killer vocals aside my key complaint with Hozier is that he seems to punch under his weight. A great example of talent not equating to quality. Really wish I could like him more but I just don't. Despite the grandeur of much of the music it feels like it lacks any real ambition. Hozier seems to have found his lane and stays in it rigidly

ANOHNI and the Johnsons - My Back Was a Bridge for You to Cross
85

powerful vocals and classic rock sound, but with touches of intensity in all the right places

75

solid rnb pop with a lot of potential

Swans - Cop
60

not much to it besides its heft. A pretty mild bar for gritty noise rock

Talking Heads - Remain in Light
100

funkiest white band ever

David Bowie - ★ [Blackstar]
99

Probably the greatest final album ever. The greatest late era album. And one of the most powerful artistic acts ever. Genuinely life-changing level of inspiring artistically. To be an artist of such unmatched quality all the way until your death. It means something I can't describe.

My grandfather passed away at the time I got into this album.

Yeat - 2093
78

despite coming from Yeat, this album brings a surprisingly impressive set of futuristic soundscapes. Maybe a bit lacking on the lyrical side of the concept but still pretty Neat

Chelsea Wolfe - She Reaches Out to She Reaches Out to She
95

goth mitski

Edit: (85 -> 88): scary fka twigs

Edit: (88 -> 95): evil bjork

Mach-Hommy - Balens Cho (Hot Candles)
68

LABOU is so intensely the highlight

Kamasi Washington - The Epic
88

I like when the sax screams

The Knife - Shaking the Habitual
100

Edit: (95 -> 100): The "weaker" moments don't even bother me anymore. Not only was this album ahead of its time but over a decade later and there's nothing that even sounds like it. The Knife were truly working with something special on this project. The worst thing about it is the fact that they quit after finishing.
Edit: (88 -> 95): The highlights are just out of this world. While theres a few weaker points the combination of acoustic, tribal style instruments with ... read more

Ornette Coleman - The Shape of Jazz to Come
90

the progenerative jazz nerd

Sufjan Stevens - Javelin
90

what are you sad?? gonna cry?? oh yeaaahhh I bet you looove this album

Edit: (85 -> 90): I’m sad gonna cry love this album

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Recent Review Comments
On Wu-Tang Clan - Black Samson, the Bastard Swordsman
"@DavidEbner my mistake, replace every mention of Wu with mathematics and include a long side tangent about ghostface killah being a loser. There fixed!"
On vincentba's review of Charli xcx - BRAT
"GET OU-"
On Talking Heads - Stop Making Sense
"@Flapjack483 TRUE. One of my favs ever"
On Brogotmehyped's review of Iosonouncane - IRA
"I totally understand what you mean when you talk about patience. I had a very similar experience attempting to listen to Swans To Be Kind and only later being able to finish it and love it. Having that experience before listening to IRA is probably what made this such an easy listen for me personally. It is truly a profound experience to have in terms of learning and growing in your ability to consume art. I will fight you a little bit because this album has also had a life changing effect on me. This album may be the single most inspiring piece of art I have ever experienced. I have thought about this album every single day since finishing it because every day I feel a fundamental Need to make music like this. It truly is a special album."
On Eminem - The Death of Slim Shady (Coup de Grâce)
"@Mychal I've listened to his back catalogue Extensively, trust. This is the same lines about pronouns and Caitlyn Jenner for like 10 songs. Don't worry girl, I get it. The idea of slim shady doesn't just go over my head. Like I said Guilty Conscious 2 was decent cause it was the actual "Death" part of that concept. The rest is just an attempt to adapt slim shady to the modern day and failing miserably. He sounds like an "anti-sjw" edgelord in a Rainbow 6 lobby. It's just corny and cringe"
On Gengachu's review of clipping. - Splendor & Misery
"Great breakdown of the album"
On Billie Eilish - HIT ME HARD AND SOFT
"@Dallamalla For me touching a good amount of other genres doesn't always mean that it's diverse. Yes it hits on pop, altpop, electronic, indie, synthpop, even a bit of rock, etc. But to me a lot of the diversity in that kinda gets washed away under the soft alt pop style. It all has a cool soft blue filter over it. It takes a lot of different inspirations but makes them more one note. And that may not be a bad thing cause with some albums it can make them cohesive, which it does do here, but I also think it takes away the flavor of those influences. To again reference the synths on Chihiro, they stand out on the album, but there's just not that much more to them outside the soft pop sound, ie not much diversity."
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