RelationalBeing
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A brilliant sonic experimentation that explores the notion of identity.
Lyrically and thematically Moses tries to come to grasp with how the self, and his self, is essentially constituted by the relations it is enveloped within, such as the social and economic contexts we necessarily move through, but also the interpersonal relations that we crave for comfort and self-recognition. These contrast between self as unity and multiplicity, and between social commentary and personal and existential ... read more
Filled with atmosphere and emotion, 'Empty' is a step back for Nils Frahm. In contrast to 'All melody's' dynamic electronic textures this is a sparse and almost static piano record, that provides open, spacious textures and feelings of loneliness. While mostly effective, the record still ends up feeling stale and unambitious.
More grandiose than ever and with great lead singles, the deep cuts are sadly forgettable with an over-saturated mix that drowns out the multi-layered instrumentation and Will's passionate voice.
A record that invites you into Fiona Apples personal headspace, exploring her views and feelings with a poetic directness, while utilizing drum fills, piano and contrabass to perfection in alternating between smooth and discordant harmonies. Fiona's masterful voice is center-stage modulating between serenity, rage and introspective reflection with brilliant technical prowess.
With fusions of rock, stadion pop, and RnB, SAWAYANA delivers a record that investigates themes of commercialism, egoism and cultural fetishism and legacy in a deeply personal way. One of the most unique and well-crafted pop records of the year that delivers on its huge expectations.
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Member since February 18, 2020