Head First is a brief trip, but it’s saturated with enough hi-NRG motifs and sounds for countless sweaty workouts at Jack LaLanne.
On Head First, the singer's bandmate-producer Will Gregory creates a pitch-perfect neon-lit '80s wonderland with Hi-NRG bass lines and plenty of that fat synth sound made famous by Van Halen's "Jump."
If the album seems somewhat slight, it’s purposefully so: Head First is a love letter to the frothy, fleeting, but very vital joys of pop music.
Only "Shiny and Warm," a dark-disco burner, recalls the sootier allure of their early stuff; otherwise, this is pure Xanadu camp.
Only the most fervent fans of Reggie Yates' Radio 1 chart show could straight-facedly argue that the singles charts still matter as much as they used to. That said, it must still be pretty galling for a pop act to discover that their comeback single has entered the charts at Number 47. It must be especially galling when that comeback single is a pop song extraordinaire - packed with hooks, instantly appealing and addictively replayable. But that's precisely what happened earlier this month to Goldfrapp's Rocket, the first single off their fifth album Head First.
‘Head First’, enjoyable though much of it is, is disappointingly determined to return the favour.
While Head First more than delivers on its title's promise of instant sensation, like an uncorked bottle of champagne, it inevitably loses its fizz.
It's a curious, circuitous trajectory which gives the impression that Goldfrapp are in the invidious position of playing catch-up to all the Gagas, LaRouxs and Little Boots upon whom they must surely have been a major influence.
The duo takes on Italo disco, going by the numbers to create uncharacteristically mixed results.
This album honestly starts on a kind of boring note and it kind of sits there? The sound is pleasant but not exciting enough, and for an album in this genre it just feels like it is lacking something. I went in expecting a very high paced, high energy album but this is just not that.
Solid sound here but this just isn't one of those albums I would come back to again and again, it's a one and done kind of project which is okay. The vocals are quite nice and I really like the production. Not as ... read more
Very surprised at how much I enjoyed this album - Goldfrapp disliked Head First themselves due to the label rushing them and being dissatisfied with its pop-leaning sound, especially coming right after Seventh Tree, in which they moved away from the glam pop sound. I find the album to be quite a vibe, the Italo disco-inspired synth pop works pretty well, doesn't feel dated and just feels good.
The album does have one of my pet peeves though, in which the singles are all grouped together ... read more
I think Goldfrapp sounds best when he's around Head First, and when he's completely embraced the pop sound of something almost like Kylie Minogue. This lightness in catchy themes is delightful.
this album is really great production wise, and it is enjoyable, but it just lacks the power that Black Cherry and Supernature have (i’m not gonna reference their other albums because they aren’t pop in this sense, so it’s unfair) and it’s a shame! it does feel a tad underbaked, but considering the circumstances it was made in, it unfortunately makes sense, this is still a solid album, but i feel like Goldfrapp albums always had a diversity in their sounds and ... read more
There’s definitely moments of pure sublimity but far too many of anonymity. The personality feels over stylized and coagulated to fit some kind of optimistic aesthetic lending songs that should sound mysterious and dynamic come off as a tad awkward and generic. Still, there is a lot of blissful experimentation that will tickle your ears in between.
| 1 | Rocket 3:51 | 81 |
| 2 | Believer 3:43 | 80 |
| 3 | Alive 3:28 | 75 |
| 4 | Dreaming 5:07 | 82 |
| 5 | Head First 4:30 | 73 |
| 6 | Hunt 4:34 | 79 |
| 7 | Shiny and Warm 3:58 | 73 |
| 8 | I Wanna Life 4:13 | 79 |
| 9 | Voicething 4:44 | 75 |