It's careful yet effortless, passionate yet distant but above-all, wholly unique. Garageband has never sounded so good.
DSU is a vital indie record that’s indebted as much to Alex G’s own inventiveness as it is to the 90s slacker aesthetic it feeds off. Alex G’s music glows, it extends a hand, lends capacity to being in ‘the moment’.
Taking a couple of tracks to ease into itself, the Philadelphian’s sound gradually teeters out of its comfort zone, with some Stephen Malkmus-inspired lyrical riddles along the way.
Tales are skilfully revealed in half-glimpses, while musically, the album covers considerable ground – from Promise’s goofy slap bass to the breezy melodies of Harvey and Boy. A raw and refreshing talent.
DSU is worthy of its moment, a 13-song set of warped, idiosyncratic sketches each capable of wending its way to a distinct place into the hearts of anyone who ever warmed to the idea of "indie rock".
At its best, DSU cycles through that duality with aplomb, which will serve as an excellent introduction to his gigantic discography for all new fans. Yet it’s also a reminder that Giannascoli is getting older, both as an artist and as a human being. And for better or worse, things don’t necessarily feel the same.
Most interestingly, Alex G’s approach is a nuanced and more intricate update on that of the genre’s forefathers, something that marks him out as a beguiling proposition.
While there’s an admittedly thin line between lo-fi and half-finished, DSU generally lands on the happy side of that divide, with G exploring a sound or idea without wholly committing to it.
I really enjoyed this. The guitar work at times reminds me of early Modest Mouse with more of a modern emo flair. Its well written and while it isnt the most unique album in its style, i understand the hype
The background to the album cover looks like edible confetti and I want to eat it
So this is a good album. Nothing blows me away, nothing is bad, it’s just good. This album just presents a handful of catchy, nice, and chill indie tracks. It’s definitely one of his most consistent albums. I really think that as I keep going through his discog, the production keeps getting better, and his sound is also getting more recognizable. I could see myself really loving this as a background ... read more
As a nuclear chicken chicken lives in the sky, I believe that this album is GREAT.
| 1 | After Ur Gone 2:21 | 82 |
| 2 | Serpent Is Lord 3:46 | 81 |
| 3 | Harvey 1:39 | 89 |
| 4 | Rejoyce 1:51 | 75 |
| 5 | Black Hair 2:44 | 83 |
| 6 | Skipper 1:25 | 80 |
| 7 | Axesteel 1:46 | 78 |
| 8 | Sorry 2:42 | 89 |
| 9 | Promise 3:31 | 79 |
| 10 | Icehead 2:50 | 80 |
| 11 | Hollow 4:04 | 86 |
| 12 | Tripper 0:42 | 71 |
| 13 | Boy 3:11 | 87 |
| #9 | / | CMJ |
| #22 | / | Time Out London |
| #24 | / | The 405 |
| #36 | / | Crack Magazine |
| #45 | / | Consequence of Sound |
| #53 | / | musicOMH |
| #65 | / | Rough Trade |
| / | The Line of Best Fit |