Critic Score
Based on 17 reviews
2014 Ratings: #201 / 1066
User Score
2014 Ratings: #134
June 17, 2014 / Release Date
LP / Format
Orchid Tapes / Label
Alex GProducer
Alex GWriter
Full Credits
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Critic Reviews

90
The Line of Best Fit
As non-debuts go, they don't come much stronger.
80
Drowned in Sound

It's careful yet effortless, passionate yet distant but above-all, wholly unique. Garageband has never sounded so good.

80
Crack Magazine

DSU is a vital indie record that’s indebted as much to Alex G’s own inventiveness as it is to the 90s slacker aesthetic it feeds off. Alex G’s music glows, it extends a hand, lends capacity to being in ‘the moment’.

80
Mojo
80
Uncut
80
The Guardian

Taking a couple of tracks to ease into itself, the Philadelphian’s sound gradually teeters out of its comfort zone, with some Stephen Malkmus-inspired lyrical riddles along the way.

80
Time Out London
It isn’t just a homemade gem: it’s an instant classic, the kind of window into a fascinating mind that you wish every solo album could be.
80
The Skinny

Tales are skilfully revealed in half-glimpses, while musically, the album covers considerable ground – from Promise’s goofy slap bass to the breezy melodies of Harvey and Boy. A raw and refreshing talent.

80
NME
It skilfully combines Neil Young’s dusty American songcraft with scratchy lo-fi and wandering electronic influences.
79
Pitchfork

DSU is worthy of its moment, a 13-song set of warped, idiosyncratic sketches each capable of wending its way to a distinct place into the hearts of anyone who ever warmed to the idea of "indie rock".

75
Consequence of Sound

At its best, DSU cycles through that duality with aplomb, which will serve as an excellent introduction to his gigantic discography for all new fans. Yet it’s also a reminder that Giannascoli is getting older, both as an artist and as a human being. And for better or worse, things don’t necessarily feel the same.

70
Rolling Stone
With any luck, this accomplished full-length debut will be his ticket to a wider audience.
70
Loud and Quiet

Most interestingly, Alex G’s approach is a nuanced and more intricate update on that of the genre’s forefathers, something that marks him out as a beguiling proposition.

70
Clash
This is enduring evidence that the purest, most interesting music inevitably comes without hefty production or marketing budgets.
70
AllMusic
Altogether, the album serves as a solid introduction to a D.I.Y. musician full of promise, who turns a myriad of inspirations into something distinctive and memorable.
70
PopMatters

While there’s an admittedly thin line between lo-fi and half-finished, DSU generally lands on the happy side of that divide, with G exploring a sound or idea without wholly committing to it.

depechemode4lif
84

I really enjoyed this. The guitar work at times reminds me of early Modest Mouse with more of a modern emo flair. Its well written and while it isnt the most unique album in its style, i understand the hype

SnowyFighter
70

The background to the album cover looks like edible confetti and I want to eat it

So this is a good album. Nothing blows me away, nothing is bad, it’s just good. This album just presents a handful of catchy, nice, and chill indie tracks. It’s definitely one of his most consistent albums. I really think that as I keep going through his discog, the production keeps getting better, and his sound is also getting more recognizable. I could see myself really loving this as a background ... read more

Chickeninthesky
83

As a nuclear chicken chicken lives in the sky, I believe that this album is GREAT.

More popular reviews
Cow_Yeet
60

I like his voice, but that’s about it

typ1ca1
68

wowie zowie!

the_basics
93

fuck harvey

More recent reviews
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Track List

1After Ur Gone
2:21
82
2Serpent Is Lord
3:46
81
3Harvey
1:39
89
4Rejoyce
1:51
75
5Black Hair
2:44
83
6Skipper
1:25
80
7Axesteel
1:46
78
8Sorry
2:42
89
9Promise
3:31
79
10Icehead
2:50
80
11Hollow
4:04
86
12Tripper
0:42
71
13Boy
3:11
87
Total Length: 32 minutes
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