Eric Torres

Ladytron - Time's Arrow
Pitchfork
69
On its seventh album, the Liverpool electro-pop band reaches for a lighter sound, capturing the passage of time in effervescent synths and impressionistic lyrics.
Núria Graham - Cyclamen
Pitchfork
76

The Irish-Catalan singer-songwriter’s latest release is playful and elliptical, as reverent of folk-pop as it is invested in experimenting with it.

Honey Dijon - Black Girl Magic
Pitchfork
77
Fresh off Beyoncé’s co-sign, the house DJ and producer returns with a joyous, collaboration-filled LP that channels the buzzy, late-night feeling when affection and tenderness flow freely.
ELIO - ELIO'S INFERNO
Pitchfork
67

Elio’s Inferno isn’t breaking much new ground, but it’s a pleasurable confection from an upstart eager to make her claim, however messy that process might be.

Yaya Bey - Remember Your North Star
Pitchfork
86
The prismatic, outstanding new album from the Brooklyn singer-songwriter moves gracefully through jazz, R&B, soul, and reggae. It’s a searching and specific exploration of connection, pain, and desire.
070 Shake - You Can't Kill Me
Pitchfork
70
On her second album, the New Jersey singer-songwriter recenters her romantic anguish through a more muted delivery, but her plaintive songwriting hasn’t lost its intoxicating touch.
Marina Herlop - Pripyat
Pitchfork
80
The Catalan composer’s third album creates an immersive and at times thrilling world out of piano, electronics, and her remarkably agile voice, which is processed, stretched, and pulled apart at will.
Alex G - We’re All Going to the World’s Fair (Original Motion Picture Soundtrack)
Pitchfork
76
Both creepy and cozy, the Pennsylvania singer-songwriter’s original score amplifies the melancholic beauty that hovers at the edges of director Jane Schoenbrun’s deeply online horror.
Syd - Broken Hearts Club
Pitchfork
75
Syd reshapes heartbreak into pillowy, ’80s-nodding R&B on her second album, softening her sound while maintaining vulnerability in her songwriting.
Lucky Daye - Candydrip
Pitchfork
72
The New Orleans singer’s lush, sultry soul-pop goes down almost too easy.
Charlotte Adigéry & Bolis Pupul - Topical Dancer
Pitchfork
82
The Belgian duo’s debut album pairs punchy, propulsive electro pop with inventive sound design, absurdist wit, and sly jabs at racism and xenophobia.
Amber Mark - Three Dimensions Deep
Pitchfork
80
The pop-R&B singer’s long-awaited debut follows a line from crippling self-doubt to pure confidence, adopting a glossy and funky vibe fortified by her exceptional voice and songwriting.
Lil Nas X - MONTERO
Pitchfork
71
On his melodious debut album, the pop-rap icon flaunts his verve and star power, all while a sense of isolation lives at the music’s brighter edges.
Tkay Maidza - Last Year Was Weird, Vol. 3
Pitchfork
75
The Australian musician caps an adventurous trilogy of EPs with another round of plush, laid-back songs that effortlessly mix pop, rap, R&B, and reggae.
L'Rain - Fatigue
Pitchfork
85
The Brooklyn songwriter and sound artist’s second album is a kind of spiritual accounting, a swirling blend of orchestral groans and human whispers that evokes subconscious drift.
Fousheé - time machine
Pitchfork
67
Despite some tepid moments, Fousheé’s skillful vocal delivery and coolly collected personality shine through.
Jorja Smith - Be Right Back
Pitchfork
72
With stripped-back instrumentation and poignant emotion, the English singer’s latest release is a stopgap EP that punches above its weight.
Topaz Jones - Don't Go Tellin' Your Momma
Pitchfork
74
The Montclair, NJ-based rapper follows his breakout debut with an expansive, funk-embroidered recollection of his childhood.
Starrah - The Longest Interlude
Pitchfork
65
The pop singer-songwriter's debut album leans on alluring and woozy R&B and hip-hop, yet the music forgoes most of the memorable hook-writing that Starrah has made her name on.
Smerz - Believer
Pitchfork
77
The appealingly unpredictable debut from the Norwegian duo thrives off the dueling forces of unease and temptation.
Shamir - Shamir
Pitchfork
75
The singer-songwriter’s vibrant, self-titled seventh album bridges the gap between his lo-fi impulses and the more conventional pop sound of his debut, without compromising his artistry.
Lianne La Havas - Lianne La Havas
Pitchfork
78
Paring her sound back to little more than her skillful guitar-playing and deep, husky voice, the London songwriter explores the aftermath of a breakup with confidence and repose.
serpentwithfeet - Apparition
Pitchfork
78
On his new three-song EP, the Baltimore artist uses his sinuous, stunning voice to navigate a dark night of the soul.
Zebra Katz - LESS IS MOOR
Pitchfork
75
Eight years after “Ima Read,” the club rapper’s debut album channels the ferocity of that breakout single across a maelstrom of different styles while keeping his central shit-talking identity intact.
Allie X - Cape God
Pitchfork
68

The sad world of Cape God is an alluring one, and Hughes’ vocal range is its unequivocal linchpin.


June Playlist