Every Japanese store has this awful song playing. It just sounds like some friends who do not know how to make music trying to put something funny together - it has no quality at all.
Country suited her far better.
This is by far the most generic 2010s pop album I have ever heard.
Despite the couple of solid songs, this album is still quite generic as most country albums are.
This is probably some of the most avant-garde music which I have listened to, but the sounds fit together so well on some parts, creating a perfect ambient landscape.
Even though, it is ok from a quality standpoint, I probably will come back to it for its soothing nature. If only there was an album like this that actually felt well made...
The highlights really do not make up for future's inability to not sound tired.
Even though the songs are quite varied in style, a beautiful ambient landscape is still created, mostly by the second half of the album.
Even though the production is great in most places, it is definitely too repetitive in many places and the vocals are quite boring.
Wow, this album is something else. The instrumentation continually amazes me throughout the whole album, especially with its depth and experimental sections. The vocals are also amazing, containing both metal screaming and mysterious prose.
Practically the only problem is the simplicity of speedway and years ago.
This album is not at all what I expected - the washed out vocals are great and the instrumentation is the perfect dystopian vibe.
Even though there are some great highlights on this record, most of it is quite boring and repetitive.
Even though it is much simpler than my favourite projects by them, it still packs a punch.
A pretty fun pop album, but lacking any interesting elements.
There are actually a handful of interesting songs on this album, such as Barnowl and Hello Hammerheads with textured, diverse, psychedelic instrumentation.
Some of her best songs are in the first half of this album, but it does drag on after that.