Out the Trunk is Larry June in his purest form—smooth, laid-back, and dripping with West Coast cool. His laid-back flow, luxurious brags, and signature life advice make for an album that’s as enjoyable as it is motivational. It’s the kind of project that instantly makes you want to hop in a clean ride, roll the windows down, and cruise through the city while soaking up the game.

The production on Out the Trunk is immaculate, leaning heavily into jazzy, soulful beats that ... read more

thank u, next sees Ariana Grande stepping fully into her own, delivering an album that is as personal as it’s catchy. Coming off the success of Sweetener, Ariana continues to showcase her vocal talent. While it may not necessarily outshine its predecessor, it stands strong as a cohesive and compelling project that highlights Ariana’s growth as both an artist and a person.

From the start, imagine sets the tone with its dreamy production and impressive vocal runs, showing Ariana at ... read more

BUBBA is KAYTRANADA in his element—smooth, funky, and groovy. After already proving himself with 99.9%, he returns with another masterfully crafted album that solidifies his place as one of the most exciting producers in electronic and dance music. BUBBA is designed to make you move, with deep grooves, crisp production, and an unmistakable house influence that blends perfectly with his signature warm, soulful sound.

From the very first track, DO IT, KAYTRANADA sets the tone with ... read more

So Much Fun lives up to its name in every way. This album is Young Thug at his absolute best—playful, unpredictable, and enjoyably charismatic. Thug’s unique ability to bend words, twist flows, and inject pure energy into every track is on full display here. His vocal inflections, melodies, and ad-libs turn even the simplest bars into moments of brilliance. This isn’t just a regular trap album—it’s a celebration of Thug’s creativity, and it never takes itself ... read more

Offset’s FATHER OF 4 marked his first solo studio album, giving him the space to step outside of Migos’ signature triplet flows and high-energy anthems. This project presents a more introspective side of Offset, exploring his personal struggles, family, and success, yet it still remains deeply rooted in the trap sound that has defined his career.

The album opens with the title track Father of 4, where Offset reflects on his journey into fatherhood, acknowledging his past mistakes ... read more

Hef’s Koud is exactly what you’d expect from him—gritty, straightforward, and unapologetically himself. The Dutch rap veteran sticks to his strengths: streetwise lyrics, steady flows, and a cold, no-nonsense delivery that reflects the album’s title. While he executes his style well, the project doesn’t necessarily push any boundaries or show much artistic evolution.

Lyrically, Hef remains solid, painting pictures of street life, ambition, and loyalty with his ... read more

Gesaffelstein’s Hyperion is a bit of a mixed bag. As one of the most respected names in the electronic music scene, he has built a reputation for dark, industrial, and experimental sounds. While Hyperion still carries some of those elements, it also ventures into more commercial territory, leading to an inconsistent experience.

The album kicks off strong with Hyperion, an atmospheric and cinematic intro that sets the tone. Reset brings back the aggressive, menacing energy that fans of ... read more

On Tranen, Dutch rap veteran Hef sticks to what he does best—gritty, streetwise storytelling over laid-back beats. His signature flow and presence are still there, and he delivers with the same confidence that made him a staple in the Dutch hip-hop scene. However, while the album is solid, it doesn’t necessarily bring anything fresh to the table.

Lyrically, Hef remains reflective, touching on personal struggles, success, and the realities of his environment. The production is ... read more

When two of the biggest names in reggaetón—J Balvin and Bad Bunny—join forces, expectations are sky-high. Oasis is exactly what the title suggests: a breezy, sun-soaked project made for summer playlists. The chemistry between the two artists is undeniable, and there are definitely some enjoyable moments. Tracks like Qué Pretendes and La Canción stand out, effortlessly blending their signature styles with infectious melodies.

That being said, Oasis doesn’t ... read more

On 11:11, Maluma sticks to what he does best—smooth, radio-friendly Latin pop with reggaetón influences. There’s no doubt that he knows how to craft catchy melodies and seductive rhythms, and the album delivers plenty of that.

However, while 11:11 is polished and well-produced, it rarely goes beyond surface level. The songwriting doesn’t dig too deep, and many of the tracks follow a predictable formula, making it feel more like a playlist of easy-listening bops rather ... read more

A Love Letter To You 4 continues Trippie Redd’s signature blend of emo rap, melodic trap, and rock-infused hip-hop, but while it has its moments, it suffers from inconsistency. At 21 tracks, the album feels bloated, with a noticeable amount of filler that could have been cut to create a more focused and impactful project.

That said, the highs on this record show why Trippie remains a standout in his lane. Songs like Who Needs Love, Love Me More, and Til The End of Time bring out his ... read more

Drip or Drown 2 by Gunna doesn't offer much in terms of innovation or pushing boundaries. The album sticks closely to the trap formula, and while it’s not always bad per se, it does feel repetitive after a while. At 16 tracks, some of the songs start to blur together, especially with the similar flow patterns.

That said, there are still decent tracks where Gunna's delivery and melodies shine, and there’s enough vibe to keep things interesting for fans of his style. ... read more

Free Spirit sees Khalid attempting to expand on the dreamy, laid-back sound that made American Teen such a success, but unfortunately, it lacks the charm and energy of his debut. While his smooth vocals remain a highlight, the album as a whole feels too safe, predictable and bland.

At 16 tracks, it overstays its welcome, especially when many of the songs blend into each other without much distinction. While there are some enjoyable moments—Talk stands out as a catchy, well-produced ... read more

! by Trippie Redd is definitely a mixed bag. While there are some strong moments, like the standout tracks Immortal with The Game and Under Enemy Arms, the overall project struggles with inconsistency. Some songs are catchy, but others fall flat, with certain ideas feeling half-baked or underdeveloped.

Trippie shows a willingness to experiment with different sounds, which is admirable, but not all of them land as effectively as they could. The album has its highlights, but too many tracks ... read more

First of all, RIP PnB Rock. TrapStar Turnt Popstar by PnB Rock is a solid project at times that has its moments, with some catchy tracks that fit well within the emo rap/trap lane that PnB Rock helped popularise. However, beyond those highlights, the album doesn’t offer much in terms of freshness. Many of the beats and performances feel somewhat generic, sticking to familiar territory without pushing any boundaries.

That said, it's still an enjoyable listen, especially if ... read more

I guess.. Chance loves his wife?

The Big Day by Chance the Rapper definitely didn't live up to the massive expectations following Coloring Book. While it’s a bit overhated, there’s no denying that the album misses the mark in many ways. The overwhelming themes of love for his wife, while genuine, come across as corny and lacking the depth that made his previous work resonate so much.

The songwriting is weak, and much of the production feels generic, making it hard to stay ... read more

ERYS by Jaden Smith doesn’t quite hit the mark, similar to his debut SYRE. The album feels uninspired at times, with Jaden trying to explore a more mainstream, trap-influenced sound that echoes artists like Travis Scott without bringing much new to the table.

While tracks like "Summertime in Paris" and "On My Own" have their moments, the rest of the album feels repetitive and lacks excitement. While his debut album was a bit more enjoyable, this album is a step ... read more

After the overly long Heartbreak on a Full Moon, INDIGO is another bloated and somewhat exhausting listen, with its massive 32 tracks (the extended even has 42 tracks lol) and over two-hour runtime. The album quickly becomes repetitive, as many of the songs sound like variations of what we've already heard from him before. Despite a handful of decent tracks, such as No Guidance and Girl of My Dreams, most of the material feels like filler, contributing little new to his discography.

At ... read more

Bad Habits by NAV is a continuation of his established style, which is not per se a good thing. This project doesn’t offer much in terms of growth or improvement. The album is marked by NAV’s signature monotonous flows, robotic delivery, and lyrics that feel uninspired and repetitive. The production, though polished, sticks to a safe, generic trap formula that doesn’t push any boundaries.

While it’s possible to vibe to the album in a laid-back setting, there's very ... read more

Scary Nights by G-Eazy feels like a safe and unadventurous EP. G-Eazy sticks to what he knows, delivering predictable and somewhat generic tracks that don’t offer anything new or exciting. While it’s not necessarily a horrendous project, it lacks the ambition to push boundaries or experiment with fresh sounds. Overall, it’s just a forgettable effort that doesn’t leave any impact.