I'm kinda starting realize that this song is pretty much perfect in every single way.
WHY DOES THIS HAVE AN 89 AVERAGE SCORE OUT OF 140 RATINGS
WHY HAVE 103 OUT OF 140 PEOPLE GIVEN IT A SCORE BETWEEN 90AND 100
WHY
You know, I feel I've been giving out too many 100's lately. Stupid thing to say, I know, but I've just kinda been seeking out old songs I've been listening to for at least a month that I already love. Now for this song. Not as strong as Bad Computer's other recent songs, but pretty strong nonetheless. While being repetitive, it's still pretty catchy. Speed House seems to suit Bad Computer here, as the glitchy production paired with the catchy vocals and sound ... read more
Oh. Ok. Alright.
So, thank you @TadeoAlgo for adding this song to the site, because now I finally get to review it. This song right here just perfectly captures everything I love about these two artists. The catchy vocals, the 80's synthwave production, the perfect vocal chop usage, the guitar solos, and the... Halvorsen imitating Rick Astley? Yes fucking please. I love everything about this song, from how well the lyrics flow together to the glitchy intro to the astounding guitar solo at ... read more
What if Knock2 and Skybreak had a child? This is just first impressions, but I was impressed listening to this. This EP feels like the embodiment of the term underground music for me. Will be revisting this tommorow and re-listening in which I will give it a proper review, cause I need to listen to a song a few times to get it stuck in my head. But, great job splitter.
While not nearly as catchy as Move Like This, this is still some pretty damn good quality Future House from Bad Computer. The vocals are still catchy, the lead is great, just some good Bad Computer all around.
Holy shit. This is a awesome, phenomenal, masterpiece, and uhhhhhh... I'm running out of words to compliment it with, somebody help. Frankly one of the best bass house songs of all time, the genre bending here is insanity. The vocal samples are a perfect fit for the song, the dubstep-bass house growls in the drop and pure ecstasy, and that Trap drop? Holy fucking shit. Thank God that I know Bossfight doesn't use AI in any of his songs, I could use more knowledge like that after all ... read more
So, Worlds! If you come across an EDM fan on this site, they most likely have this album in their top 5 favorite albums. Well, not ALWAYS this album. I meant either this album, another album by Porter, or Discovery! This album has had its praises sung to heaven and back, and for good reason. After listening to this album you probably start to see why people love it so much. It really is magical, there are few artists I've seen who have managed to replicate this style. Unlike Porter's ... read more
Skybreak is cooking. This is a very satisfying Garage song from this new era, which contains lyrics regarding the uncertainty after a break up. The lead in the drops is still very much Skybreak, and he seems to be pretty dang good at making Garage. The vocals are very nice, and the music video fits the song very well. The vibes here are more chill than the last releases from this Half-Blood era, and it works to the songs favor. Overall, just a great song, and I'm excited to see where else ... read more
Tobu pulls out the Avicii vibes here, to amazing success too. This song is amazing, with great lyrics and an amazing message. The vocals from Tom Mårtensson really help make this feel like an Avicii song, and the intro to the song sounding just like the intro to Wake Me Up might have let you know that too. Tobu's signature combination of piano and guitar is present here and sounds especially great in this song, with the electronic synths mixing together greatly with the piano and ... read more
It might grow on me more, so don't be surprised if this is a 100 in the future.
I've never been a Madeon fan, not because I don't like his music, but because I just never dove into his discography. My first time hearing of him was because of Pop Culture, and I found that through Geometry Dash (thanks Zafkiel). I love Shelter though, and after hearing this, I might have to go check out his albums and other songs.
This song is phenomenal. The mellow, Future Bass-esque pop ... read more
Litteraly just mid imo, not really anything special. I have a theory Mr. Beast told KSI to release this just to get hate off his back cause of the allegations Dogpack404 put out but I can't prove it.
Wait there's another song?
While not as, well, insanely fucking awesome as his nolimit album, 2HEARTs is still an amazing EP from Knock2. Being his first project (or at least I think it is), it serves as a sick Bass House focused EP, with some Trap thrown in there too. The oh-so-damn-catchy melodies are still here as much as they are in nolimit, which is always a massive plus. This EP, while having less variety than nolimit, is still very consistent in it's sound while each track is still unique in it's own ... read more
Grant really cannot miss. Juneau is a great singer and her voice always works great with Grant's style, probably because these two have been making songs together for a while. The stuttery production in the drops is golden, and the vocal chops are used perfectly as usual from Grant. That last drop is also one of Grant's best, and that's saying a lot. Perfect song, would listen a lottttttttttt more times
This is my first time listening to CloudNone's stuff, and I must say, it's pretty good. CloudNone said that he started working on this EP due to some changes going on in his life (he said exactly what said things were, but I won't go into detail on that here), and this EP serves as his creative "rebirth", hence the title of the EP. This is just a few chill, vibey Future Garage tracks he cooked up, and they are all pretty good. I'll go through them one by one, then ... read more
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Ok but being serious here, I am very surprised that you didn't like Descensus. One of the best songs on the album imo."
On jackuw πΏ's review of Kendrick Lamar - Mr. Morale & The Big Steppers
"@masivnipero I'm fucking sobbing please tell me you are trolling with this statement cause there's no way this can be genuine"
On jackuw πΏ's review of Kendrick Lamar - Mr. Morale & The Big Steppers
"@masivnipero "I dislike this album and it sounds uncomfortable for me to listen to." While I do disagree with him just calling the album slop, to say he's racist or ignorant just because he dislikes it is genuinely so stupid. As for what you said about this being "non-critique", I often find it hard to actually go in depth to something I don't like. 2/2"
On jackuw πΏ's review of Kendrick Lamar - Mr. Morale & The Big Steppers
"@masivnipero So it's racist for someone to dislike hip-hop? Also, it's all a matter of opinion when it comes to art. jackuw obviously doesn't relate to this album's core themes, so it makes sense for them to not be "nourished" by this album. I personally dislike most hip-hop because the vocals on most modern hip-hop songs just feel like an afterthought. 90% of the production and vocals feel like they came from two entirely different songs and don't match with each other in the slightest. But back to my original point, saying this review is racist simply because they don't like an album is just dumb. There isn't anything here that even remotely hints at jackuw being racist, he basically just says 1/2"
On jackuw πΏ's review of Kendrick Lamar - Mr. Morale & The Big Steppers
"@masivnipero How the fuck is this racist in any shape or form?"
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On OllyFlash's review of Fox Stevenson - Sunk Cost Fallacy
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On maxtheyukoner's review of Pendulum - Napalm
"Welcoming it back implies it ever left in the first place"
On OctoMarkus's review of Tristam - WLUWD
"There's a review on RYM that says this album has similar production to The Chainsmokers' albums"
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