The first eight tracks are incredibly derivative and are, at times, plain boring.
The next ten tracks are amongst his best since the first MOTM album.
Cudi proves yet again that he needs to focus on quality, not quantity. Very few of his hour long albums need to be as long as they are. Indicud and PP&DS, and maybe to a certain extent Speedin' Bullet as well, would be a lot more heavily respected if they weren't as long as they are. This album has the exact same problem. If Kids See Ghosts ... read more
Oh god, it's that time of the year again, huh? The god-forsaken time when I have to listen to Wonderful Christmastime fifty times a day, actually good songs spark some bullshit controversy because one of the lines hadn't aged well, and every artist with at least a couple-hundred-thousand monthly Spotify listeners release their own unwanted and unasked for Christmas record. And it seems the first to do just that is Poppy. Can't say I'm surprised at all. After that mediocre noise record she ... read more
Pike #284
I'm starting to wonder, am I just getting more lenient with Buckethead, or is he actually improving? I mean, he's released significantly less albums this year than what he's know for, so it could easily be the latter, with him going for more quality than quantity in that regard (though that is a bit questionable considering the amount of albums he's dropped this year alone is still equal to that of a single artist's entire discography), but it could also just be that after hearing so ... read more
When I saw the genre tags, I got a bit more excited than I probably should have. An AOTY project that has both ambient and noise? Surely this would end up being an interesting project regardless of the actual overall quality. And interesting it certainly is, as if there's anything Circles has going for it, it's that it never fails to keep me interested in seeing what's going to happen next. The clear ambition also makes this at least respectable, and while there are certainly aspects to this ... read more
This really isn't the type of music I usually listen to, and as such I can't say I was really expecting much from this. Hell, if anything, I was expecting to not like it at all. But I can't say that that was the end result.
For Lack Of A Better Name is a mostly good album, and one that may even be amongst the best in the genre (though I certainly can't say for sure). And while I'm not big on a lot of the tracks here, with some like FML, Moar Ghosts N Stuff, Bot and Soma pretty nice listens ... read more
Thank you, Wintherr, for blessing us with two great releases in one day.
Schnee compiles the four Schnee tracks that he's done over the years in various splits. These songs have honestly always been amongst his best, so hearing them all together in one long album, hearing them as they were intended to be listened to, results in definitely one of the best experiences with his music yet. It may not be one of Paysage d'Hiver's most essential albums, but if you already love albums like self-titled ... read more
Two B-sides from Im Wald, but neither feeling like a B-side and more like an addendum to an already excellent work. Im Wald was already my album of the year, and unless I find something even more extraordinary, then that's unlikely to change. But with this extra content, I can actually see myself liking the album even more than I already do. I can just imagine how much more I may get out of it if I get around to sitting down and listening to both the album and this EP one after the other. These ... read more
The Araby Bazaar's second album doesn't disappoint at all. Just like their first album, it ends up being a really pleasant indie rock record, albeit with a track listing that is a lot more consistent, though admittedly with a couple of forgettable cuts.
The highs on this record certainly sets the bar high for any future releases, with quite a few of the tracks on here being some of the best they've done yet. The opening track, Maida Vale, may just be their best song yet, with it being a really ... read more
Concrete Castles comes back with by far their best album yet. I saw that this was inspired by Godspeed You! Black Emperor, and I can definitely see the influences. It makes for what is easily their most interesting project yet, and one that surprisingly has very few moments that I didn't like. Even Unopinionated - a track that I wasn't too big on when it was released as a single - was actually much better in the context of the album. There are still a few parts that I'm not too keen on, like ... read more
Man, people are going to hate me when I get around to making my best of 2020 list and a fucking Merzbow record ends up ranking higher than most of the highest rated pop albums of the year.
Do I even need to justify this? I mean, I am one of the five people who unironically enjoys noise music on this site, so this is a given. At the end of the day, it is just another Merzbow album, and as such it's just another "harsh noise for the sake of it" album with not much that's different at ... read more
Re-review
I gotta thank spicyb for reminding me that I said that I'd give this record a better review back when I was first going through Buckethead's discography. Honestly, it's great returning to albums like this one after you've heard literal hundreds of mediocre albums. It just reminds me of what it was that I originally loved so much when I first started diving into his music. Not just the same few styles replayed over and over again every couple of months, but actual experimentation. ... read more
I keep forgetting this is an album that was actually made and released to the public.
Listen, Corey... if I wanted to listen to Nickelback, I'd listen to Nickelback. I don't want to listen to Nickelback. Therefore, I don't want to listen to you playing your favourite Nickelback songs. Please, just go back to aggressively screaming nonsense over heavily distorted instrumentals, because at least that is entertaining.
Truly magnificent. Easily one of the most beautiful records I have ever heard. One six hour long song spread out over five 70+ minute long discs, recorded in a marathon performance done in one sitting. What you get is one of the most pleasant audio recordings to have ever been made. The FLUX Quartet did an exceptional job at realizing Morton Feldman's piece that has only ever been performed in its entirety a handful of times, and it's amazing that I managed to experience it.
I'm holding off on ... read more
2020 Catch-up #5
An album that seems to have gone under the radar for most people, which I really don't understand why. Well, I guess I do, with so many big releases this year, some albums deserving of endless praise and a spot amongst even the most popular records of the year are ultimately going to be left behind and unnoticed by most. But listening to Loma's new album after hearing some of what has been heralded as "the best of the year", it really makes me wonder how many other ... read more
Pike #280
This proves, without a doubt, that Buckethead still has it in him to make genuinely amazing music. How long has it been since he's made a Pike that has impressed me this much? I mean, I know that I gave one of his releases from this year a relatively high score, but I mean a Pike that has managed to become a top ten Buckethead album for me? Looking through my list, the last album to reach my top ten came out at the end of 2015. A whole five years ago. And just now he's released an ... read more
Well, I certainly didn't expect one of my albums of the year to end up being a user-made project, but leave it to @QueenOfDenmark to prove that that is very much possible.
When I think of AOTY music, the last thing I expect is a proper indie rock record. But here we are, with a genuinely great one. The album did kinda throw me off at first, with the opening track being a pretty regular synth track that we come to expect with user-made music, but one that I felt was actually better than most. ... read more
Probably the only Frank Zappa album that I'm not going to try and write an extensive review for, and most definitely the only Mothers album that I genuinely couldn't give less of a shit about. In Cruising With Ruben & The Jets, Zappa and The Mothers make a proper doo-wop album. No, not as a satirization of the genre like you would expect after hearing an album as critical of popular music as We're Only In It For The Money, but a genuine doo-wop album.
Before anyone says anything, no, it's ... read more
2020 Catch-up #4
I feel like all this series I've decided to do has managed to do is out myself as being a modern pop music "hater", but I just don't really get how this has become one of the most critically acclaimed of the year. Nor do I understand why this seems to be loved by pretty much everyone here. This just sounds like your standard 2020 pop album, one that pretty much everyone has already forgotten about unless they were already a Dua Lipa stan.
Okay, sure, great ... read more
Yes, I like AC/DC, and I'm tired of pretending I don't.
Okay, I get it. They're formulaic as shit. They've just played the same song a hundred times for close to fifty years now. In terms of classic rock, they are perhaps one of the weakest bands to make it to the mainstream and somehow have multiple classics under their belt. But having grown up with Highway To Hell and Back In Black, I just can't find it in myself to say that I dislike them at all. And even this album which definitely isn't ... read more
2020 Catch-up #3
Yeah, this is going to be a much shorter review than usual because I seriously do not care nearly enough about this band to even try and write a better review.
I want to love Fontaines D.C, but every single time I hear one of their albums I don't get anything out of it. Ever since I first heard Dogrel back when that first dropped, I just knew that this was a band that would be right up my alley but hadn't done anything to excite me and interest me enough to actually listen to ... read more