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CRITIC REVIEWS
100
In time, it should be seen as a career highlight from a superstar -- one of the hardest-working people in the business, a new mother, in total control, at her creative and commercial peak.
100
By far her most experimental and multi-layered album.
91
That Beyoncé was able to keep a project of this scale completely under wraps is one of the most impressive tricks of her career, but the real feat is the album itself, a candid, confrontational work that dares to cut against the singer’s carefully cultivated goddess image to reveal the opinionated, imperfect woman underneath.
91
Beyoncé waited for the last moment to unveil 2013′s finest pop album. It arrived too late to enter our top ten lists, but just in time to own the year.
91
Here more than ever Bey indulges clashing impulses — between strength and escape, megapop and fresh sounds, big messages and resonant lyrics.
90
This is her best album, more textured than its predecessors in both sound and content.
90
A tour through Beyoncé’s backstory, a meditation on Third Wave feminism and a rejection of perfection, Beyoncé is the singer at her rawest, realest, and most personal, with a sound deeper and darker than ever before.
90
Indeed, at its dizzying zenith, beyoncé is a loaded fusion of generosity and self-empowerment. or perhaps, more accurately, it finds self-empowerment in generosity.
90
In my estimation, when critically examined, BEYONCÉ functions as a highly successful feminist manifesto.
90
It's as impressive an accomplishment creatively as it is for shifting the industry towards a more nontraditional take on the "single-album-tour" strategy.
90
‘Beyoncé’ is one of the best damn albums of 2013, basically, however you’re looking at it: as an R&B record, a pop set, an electro collection. Whatever your tastes, you can’t question the quality here.
88
The album is brassy but elegant, its post-coital breath smelling faintly of cheap liquor sipped from a crystal flute. It finds Beyoncé shifting gears to pull off her most explicit and sonically experimental music to date, exploring sounds and ideas at the grittier margins of popular music.
80
It trafficks specifically in lost arts like sequencing, pacing, and mastering. It’s not concerned with moving units. It’s concerned with Beyoncé’s self-exploration, in a complicated, incredibly intriguing way.
80
There are no real bangers here, but for once that’s not a disappointment cushioned by wafty ballads. Instead the low-key, moody production throws the spotlight on the words and the images brought to play by Beyonce as serious album artist, encompassing bulimia, post-natal depression, the fears and insecurities of marriage and motherhood, and lots and lots of sex.
80
The album’s clearest message is that, beneath the second-guessing, Beyoncé is one hell of a pop star. We should get on board and enjoy the ride.
80
If there’s one thing you can take from BEYONCÉ, it’s that you never have to feel “bored” as she describes in “Ghost.” There’s always room to innovate.
80
Despite an army as deep and varied as any other Beyoncé album, what she’s found here is an honesty that’s just missing all too often from these sorts of raunch-fests.
80
Beyoncé is better than good, slickly packaged, created with the best of intentions yet still comes off as a postmodern mash of hubris, sincerity and gloss. It will be a hit regardless.
80
While there isn't a chart-smashing Single Ladies or Baby Boy in the mix, the resulting 14 tracks (plus 17 videos) make her most complete album to date.
79
The lack of universality to much of it keeps it from being the great album it wants to be, and some of the fascination seems to stem from 2013 celebrity culture obsession and speaks to the need to disappear from our own lives and become so wrapped up in the world of the rich and famous. Beyoncé does her part to make her world worthwhile, but it is our job to try and do the same.
75
It's still a massive leap forward—hearing a superstar be honest about her desires, in love with a family, and calling for an end to unrealistic expectations for women is a pretty great thing to have on a platinum-selling album.
70
As much as there is to admire in its forthright gender politics and bleeding edge approach to R&B, it’s a remarkably selfish listen. By favouring lavish presentation over tender blemishes, Mrs Carter is rarely portrayed as anything less than a remarkable human being. One who intends to arrest her commercial decline with pop’s most avant-garde album in years.
70
Beyoncé may have gotten "bored" with the popstar routine, as she confesses in "Ghost." But only massive hubris could have made a feat like this album possible. And Beyoncé's hubris makes the world a better, more Beyoncé-like place.
70
What makes the album significant is the fact that its creator is a bona fide superstar who, apparently, seems to care more about following her creative bliss than scoring easy hits. And it takes her (and us) to some mighty weird and exhilarating places.
60
Beyoncé Knowles' latest album is easily her most sexual and personal.
BEYONCÉ is a testament to the singer's potential as an artist. Launched by surprise on a Friday, this project impacted the way albums were released and the idea of visual albums, as well as showing a more experimental side of Beyoncé that makes not only her voice shine on this album.
Pretty Hurts (10/10)
Haunted (9.8/10)
Drunk In Love (8.8/10)
Blow (8.5/10)
No Angel (8.3/10)
Partition (9/10)
Jealous (8.2/10)
Rocket (8.2/10)
Mine (9.2/10)
XO (9/10)
Flawless (9.5/10)
Superpower ... read more
Pretty Hurts (10/10)
Haunted (9.8/10)
Drunk In Love (8.8/10)
Blow (8.5/10)
No Angel (8.3/10)
Partition (9/10)
Jealous (8.2/10)
Rocket (8.2/10)
Mine (9.2/10)
XO (9/10)
Flawless (9.5/10)
Superpower ... read more
Her self-titled album "Beyoncé" is definitely one of her best albums in her career, with an r & b production which plays a lot and I like it to hear something out of the ordinary besides the very catchy songs and make you almost enjoy this album completely.
Favorite tracks: Pretty Hurts, Haunted, Drunk In Love, Blow, No Angel, Jealous, Rocket, Mine, XO, Heaven, Blue.
Least favorite: Superpower.
Favorite tracks: Pretty Hurts, Haunted, Drunk In Love, Blow, No Angel, Jealous, Rocket, Mine, XO, Heaven, Blue.
Least favorite: Superpower.
* Pretty Hurts (10/10)
* Haunted (8/10)
* Drunk In Love (9/10)
* Blow (10/10)
* No Angel (8/10)
* Yoncé (10/10)
* Partition (10/10)
* Jealous (8.5/10)
* Rocket (8/10)
* Mine (7.5/10)
* XO (9/10)
* Flawless (10/10)
* Superpower (7.5/10)
* Heaven (9.5/10)
* Blue (10/10)
* Grown Woman (8.5/10)
Nota Final: 90/100
* Haunted (8/10)
* Drunk In Love (9/10)
* Blow (10/10)
* No Angel (8/10)
* Yoncé (10/10)
* Partition (10/10)
* Jealous (8.5/10)
* Rocket (8/10)
* Mine (7.5/10)
* XO (9/10)
* Flawless (10/10)
* Superpower (7.5/10)
* Heaven (9.5/10)
* Blue (10/10)
* Grown Woman (8.5/10)
Nota Final: 90/100
i went into this expecting enormously overrated pop music, and thats basically what i got. beyonce's surprise album is fun and enjoyable, but its shallow and doesnt bring too much new or daring material to the table. some of the production really was amazing, but i dont think beyonce herself contributed a whole ton to this album. she has hoards of writers and producers to back her up, and it feels as if all she really did was sing. even though thats a huge part of the album, it makes the ... read more
Beyonce's self-titled record, perhaps her first album that delved super deeply into her more personal releases, is, from what I've heard ("Lemonade" is high on the listen-list), her most personal and intimate work. Behind the glamourous and superb production, Beyonce, lyrically, goes into many themes of self-love and identity, themes that are developed quite effectively. As a result, the product is very well-rounded and consistently intriguing. In almost every single field, Beyonce ... read more
rollingstone.com
New Beyoncé Song to Appear in Will Smith’s ‘King Richard’ 
Contributions By
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Track List
| 1 | Pretty Hurts 4:17 | 89 |
| 2 | Haunted 6:09 | 92 |
| 3 | Drunk in Love 5:23 feat. Jay-Z | 86 |
| 4 | Blow 5:09 | 90 |
| 5 | No Angel 3:48 | 86 |
| 6 | Partition 5:19 | 95 |
| 7 | Jealous 3:04 | 87 |
| 8 | Rocket 6:31 | 86 |
| 9 | Mine 6:18 feat. Drake | 95 |
| 10 | XO 3:35 | 96 |
| 11 | ***Flawless 4:10 feat. Chimamanda Ngozi Adichie | 88 |
| 12 | Superpower 4:36 feat. Frank Ocean | 76 |
| 13 | Heaven 3:50 | 86 |
| 14 | Blue 4:26 feat. Blue Ivy | 80 |
Total Length: 1 hour, 6 minutes
Year End Lists
| #1 | / | Billboard |
| #1 | / | Pretty Much Amazing |
| #1 | / | Vibe |
| #8 | / | Variety |
| #11 | / | Gigwise |
| #18 | / | Consequence of Sound |
| #40 | / | Tiny Mix Tapes |
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Added on: December 13, 2013