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CRITIC REVIEWS
100
In time, it should be seen as a career highlight from a superstar -- one of the hardest-working people in the business, a new mother, in total control, at her creative and commercial peak.
100
By far her most experimental and multi-layered album.
91
That Beyoncé was able to keep a project of this scale completely under wraps is one of the most impressive tricks of her career, but the real feat is the album itself, a candid, confrontational work that dares to cut against the singer’s carefully cultivated goddess image to reveal the opinionated, imperfect woman underneath.
91
Beyoncé waited for the last moment to unveil 2013′s finest pop album. It arrived too late to enter our top ten lists, but just in time to own the year.
91
Here more than ever Bey indulges clashing impulses — between strength and escape, megapop and fresh sounds, big messages and resonant lyrics.
90
This is her best album, more textured than its predecessors in both sound and content.
90
A tour through Beyoncé’s backstory, a meditation on Third Wave feminism and a rejection of perfection, Beyoncé is the singer at her rawest, realest, and most personal, with a sound deeper and darker than ever before.
90
Indeed, at its dizzying zenith, beyoncé is a loaded fusion of generosity and self-empowerment. or perhaps, more accurately, it finds self-empowerment in generosity.
90
In my estimation, when critically examined, BEYONCÉ functions as a highly successful feminist manifesto.
90
It's as impressive an accomplishment creatively as it is for shifting the industry towards a more nontraditional take on the "single-album-tour" strategy.
90
‘Beyoncé’ is one of the best damn albums of 2013, basically, however you’re looking at it: as an R&B record, a pop set, an electro collection. Whatever your tastes, you can’t question the quality here.
88
The album is brassy but elegant, its post-coital breath smelling faintly of cheap liquor sipped from a crystal flute. It finds Beyoncé shifting gears to pull off her most explicit and sonically experimental music to date, exploring sounds and ideas at the grittier margins of popular music.
80
It trafficks specifically in lost arts like sequencing, pacing, and mastering. It’s not concerned with moving units. It’s concerned with Beyoncé’s self-exploration, in a complicated, incredibly intriguing way.
80
There are no real bangers here, but for once that’s not a disappointment cushioned by wafty ballads. Instead the low-key, moody production throws the spotlight on the words and the images brought to play by Beyonce as serious album artist, encompassing bulimia, post-natal depression, the fears and insecurities of marriage and motherhood, and lots and lots of sex.
80
The album’s clearest message is that, beneath the second-guessing, Beyoncé is one hell of a pop star. We should get on board and enjoy the ride.
80
If there’s one thing you can take from BEYONCÉ, it’s that you never have to feel “bored” as she describes in “Ghost.” There’s always room to innovate.
80
Despite an army as deep and varied as any other Beyoncé album, what she’s found here is an honesty that’s just missing all too often from these sorts of raunch-fests.
80
Beyoncé is better than good, slickly packaged, created with the best of intentions yet still comes off as a postmodern mash of hubris, sincerity and gloss. It will be a hit regardless.
80
While there isn't a chart-smashing Single Ladies or Baby Boy in the mix, the resulting 14 tracks (plus 17 videos) make her most complete album to date.
79
The lack of universality to much of it keeps it from being the great album it wants to be, and some of the fascination seems to stem from 2013 celebrity culture obsession and speaks to the need to disappear from our own lives and become so wrapped up in the world of the rich and famous. Beyoncé does her part to make her world worthwhile, but it is our job to try and do the same.
75
It's still a massive leap forward—hearing a superstar be honest about her desires, in love with a family, and calling for an end to unrealistic expectations for women is a pretty great thing to have on a platinum-selling album.
70
As much as there is to admire in its forthright gender politics and bleeding edge approach to R&B, it’s a remarkably selfish listen. By favouring lavish presentation over tender blemishes, Mrs Carter is rarely portrayed as anything less than a remarkable human being. One who intends to arrest her commercial decline with pop’s most avant-garde album in years.
70
Beyoncé may have gotten "bored" with the popstar routine, as she confesses in "Ghost." But only massive hubris could have made a feat like this album possible. And Beyoncé's hubris makes the world a better, more Beyoncé-like place.
70
What makes the album significant is the fact that its creator is a bona fide superstar who, apparently, seems to care more about following her creative bliss than scoring easy hits. And it takes her (and us) to some mighty weird and exhilarating places.
60
Beyoncé Knowles' latest album is easily her most sexual and personal.
i went into this expecting enormously overrated pop music, and thats basically what i got. beyonce's surprise album is fun and enjoyable, but its shallow and doesnt bring too much new or daring material to the table. some of the production really was amazing, but i dont think beyonce herself contributed a whole ton to this album. she has hoards of writers and producers to back her up, and it feels as if all she really did was sing. even though thats a huge part of the album, it makes the ... read more
Shortly after starting the decade blessing us with the greatest neo soul album of the time, and having given birth to her firstborn, everyone was anxious for what the greatest living performer had to give us. And on a December night, by surprise, she brings a self-titled and completely visual work.
I admit, the work starts bad. The first track, "Pretty Hurts", which is a disposal of big and generic names (Rihanna and Katy Perry) is just more of the same as what Sia had to offer at ... read more
I admit, the work starts bad. The first track, "Pretty Hurts", which is a disposal of big and generic names (Rihanna and Katy Perry) is just more of the same as what Sia had to offer at ... read more
Um projeto inovador e impactante que apesar de tentar passar uma imagem complexa se perde entre algumas músicas fracas e esqueciveis. O grande ponto alto são os vocais perfeitos de Beyoncé que fazem o álbum valer a pena.
This album felt really boring to me. The vocal performance is excellent, and the production is good as well, however when they are together it just produces nothing really. The whole album felt kind of uninspiring, however Drunk In Love was a great song.
pitchfork.com
Beyoncé Shares New Video for “Already” 
rollingstone.com
Beyoncé to Release New Visual Album ‘Black Is King’ on Disney+ 
pitchfork.com
Beyoncé Shares New Song “Black Parade” 
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Year End Lists
| #1 | / | Billboard |
| #1 | / | Pretty Much Amazing |
| #1 | / | Vibe |
| #8 | / | Variety |
| #11 | / | Gigwise |
| #18 | / | Consequence of Sound |
| #40 | / | Tiny Mix Tapes |
Track List
- Pretty Hurts
- Haunted
- Drunk In Love [ft. Jay Z]
- Blow
- No Angel
- Partition
- Jealous
- Rocket
- Mine [ft. Drake]
- XO
- lawless [ft. Chimamanda Ngozi Adiche]
- Superpower [ft. Frank Ocean]
- Heaven
- Blue [ft. Blue Ivy]
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Added on: December 13, 2013