Crush’s primary consequence – other than being an excellent case study on best-of-all-worlds electronic music – is ensuring that Floating Points is a name on the tip of everyone’s tongue. Shepherd’s multifaceted skill set is on full display here, from jazzy, forward-thinking progressions to club-ready material.
Whatever wavelength Shepherd is on, Crush is the almost untouchable proof that no-one else is anywhere near it.
An album to be experienced rather than listened to, Crush takes the listener through the light and dark portions of the active listening mind, further proving Floating Points as a singularly talented producer.
While certain elements—a distorted rhythm here, a shuddering synth there—can be traced back to those rough-and-tumble live shows with the xx, the LP as a whole is strikingly melodic and often beautiful, even in its most frantic moments.
Tracks such as thunderous LesAlpx aim for the dancefloor but wherever Crush is listened to — in a club, on the night bus home, or yes, an airport — there’s plenty to discover, so long as you’re willing to delve in deep enough.
Beautifully crafted, Crush unsettles with its quiet, fervent chaos bubbling beneath its surface.
Crush is an insight into Shepherd’s brilliant mind and – such is the sheer variety of this album – a way to inspire one’s own imagination.
Here Shepherd has managed to capture both the febrile chaos and decaying beauty of the world we’re living in, on an album that crushes myriad ideas into one big sonic collision.
Crush may be some of Floating Points’ most assertive work, but sinking into its rich and deeply layered textures reaps countless rewards.
At its hypnotic heights, Crush mixes Shepherd's background in beats-building with the melodic and melancholy expanses of his more recent work.
Put simply, ‘Crush’ is a triumph: the ideal meeting of brains and brawn over a journey that manages to feel both concise and exploratory.
Crush certainly comes across as fragmentary, as if a dozen tracks, at least a couple albums worth of ideas, were truncated, quickly sequenced, and packed onto one LP. That said, it's hard to imagine more forethought and deliberation resulting in a listen more riveting than this one.
Floating Points' Crush is an album of profound contrasts. For every track designed to electrify the dancefloor, there is a gentle sweeping orchestral piece.
Though the sonic explorations undermine the album's overall cohesiveness, Crush remains a shining example of Shepherd's growth as an artist, and his willingness to push boundaries well into his career.
Crush is yet another triumph for Floating Points, a chaotic, if fundamentally cohesive, collection of tracks that reconcile Shepherd’s ever-more-sophisticated arrangements with the bedrock of compelling dance music that launched him in the first place.
Yes. I didn't know what to expect considering I had only ever heard his collab with Pharoah Sanders, and this was way more electronic than that ambient project. It was still really interesting. However, I feel like I've heard those ideas on other projects before. Literally cannot place it, but there was at least one bit where i thought i had heard it done and better. Not my favorite project in the world, but definitely enjoyable. You might like it if you enjoy when artists play with ... read more
amazing ambient album that makes me feel so much emotion, also this album cover is beautiful
| 1 | Falaise 3:54 | 91 |
| 2 | Last Bloom 5:53 | 86 |
| 3 | Anasickmodular 3:12 | 86 |
| 4 | Requiem for CS70 and Strings 2:23 | 77 |
| 5 | Karakul 1:54 | 71 |
| 6 | LesAlpx 4:41 | 87 |
| 7 | Bias 5:08 | 88 |
| 8 | Environments 4:45 | 86 |
| 9 | Birth 3:00 | 80 |
| 10 | Sea-Watch 4:04 | 85 |
| 11 | Apoptose, Pt. 1 2:35 | 77 |
| 12 | Apoptose, Pt. 2 2:27 | 75 |
| #2 | / | Magnetic |
| #2 | / | Mixmag |
| #9 | / | Dummy |
| #9 | / | Loud and Quiet |
| #10 | / | MondoSonoro |
| #17 | / | The A.V. Club |
| #19 | / | Passion of the Weiss |
| #22 | / | Far Out Magazine |
| #22 | / | The Vinyl Factory |
| #25 | / | DJ Mag |
| #25 | / | The Independent |