On LABYRINTHITIS, indie rock’s Destroyer address North American anxiousness while successfully tackling styles hitherto untouched by the project.
Labyrinthitis is Bejar at his most villainous, challenging listeners and sneakily insulting those who are manifestations of today’s poorly-constructed diagram of self-worth.
Labyrinthitis is another exciting step forward in Destroyer's never-ending evolution, delivering pleasant confusion and unexpected choices along with the kind of fractured but magical songwriting of which only Bejar is capable.
Not everything gels perfectly, but considering how much ground he covers both musically and lyrically, Bejar almost never falls completely off the horse.
If there’s a formula to figuring Destroyer’s Labyrithinitis out, it lies within Dan Bejar’s enigmatic mind.
Labyrinthitis is another tantalising Destroyer album, one that resists being clutched too tight or loved too hard as it roams its peculiar world.
Labyrinthitis is a tough nut to crack, or to be more precise, it’s an album for which multiple narratives can be true at once, despite being somewhat conflicting.
Labyrinthitis, Destroyer’s 13th album, dances between ’80s-evoking anthems, moments of almost baroque jauntiness and near post-rock epics.
LABYRINTHITIS, while overall accomplished, can seem like it’s holding back unnecessarily, and that a more constant presence from Bejar would make a world of difference.
Labyrinthitis is an eclectic album from an artist long past trying to impress anybody but his producer, which pays off here more often than not.
Almost a 'summer' Destroyer album - at first I was disappointed that 'Tintoretto, It's for You' felt very much alone as a standout track and successful departure for Bejar, but now the (yes, 'Kaputt'ish) atmosphere of the release as a whole has established itself.
Today I'm calling 'LABYRINTHITIS' the second best Destroyer album...we'll see how I feel about it tomorrow.
THISISPRETTYGOODITIS
Destroyer I’m not familiar with, but I’m trying to get around to more new releases so I wanted to give it a shot. Anddd… Yeah It’s pretty good. There some things I really love here and there are some things I am not the biggest fan of. I’ll start with the positives. The production on this album is insanely good. The synths that are used and the atmospheres that are created are honestly amazing. The instrumental on It Takes a Thief hits really ... read more
Destroyer continues their odd habit of making great albums at the beginning of the decade
Silly observations aside, this really is one of the band's best albums. Warm and atmospheric, it builds wonderful layers of instrumentation into swirling, hypnotic hazes, but with enough emphasis on the bass and drums the listener is never truly lost in the mix.
LABYRINTHITIS continues Destroyer's exploration of synths within the band's music. This started with Kaputt in 2011, though they were mostly ... read more
It's in Your Heart Now 82/100
Suffer 80/100
June 90/100
All My Pretty Dresses 88/100
Tintoretto, It's for You 92/100
Labyrinthitis 78/100
Eat the Wine, Drink the Bread 90/100
It Takes a Thief 79/100
The States 77/100
The Last Song 70/100
Yeah this was easily the most impressed I've been by a Destroyer album since Poison Season, I think the more sonically rich sound pays off here.
It‘s in Your Heart Now — 8.3
Suffer — 8.5
June — 7.6
All My Pretty Dresses — 7.8
Tintoretto, It’s for You — 8
Labyrinthitis — 6
Eat the Wine, Drink the Bread — 7.8
It Takes a Thief — 8.8
The States — 7.2
The Last Song — 5.7
|
likes: 8/10
overall final score: 75.70
favs: It Takes a Thief, Suffer, It’s in Your Heart Now
least fav: The States
worst: The Last Song
skips: Labyrinthitis & The Last Song
75 ---> ... read more
1 | It's in Your Heart Now 6:55 | 84 |
2 | Suffer 3:29 | 82 |
3 | June 6:33 | 85 |
4 | All My Pretty Dresses 4:40 | 83 |
5 | Tintoretto, It's for You 3:05 | 78 |
6 | Labyrinthitis 3:19 | 69 |
7 | Eat the Wine, Drink the Bread 3:37 | 80 |
8 | It Takes a Thief 2:41 | 83 |
9 | The States 6:55 | 76 |
10 | The Last Song 2:34 | 71 |
#14 | / | Northern Transmissions |
#16 | / | MAGNET |
#17 | / | Exclaim! |
#19 | / | Under the Radar |
#29 | / | No Ripcord |
#30 | / | Pitchfork |
#34 | / | Paste |
#40 | / | Beats Per Minute |
#43 | / | Les Inrocks |
#92 | / | Rough Trade (UK) |
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