So, this is incredibly a beautiful and delicate final record from an icon, a one who left his print on the overall music we know currently. His last releases is the culmination of all full-detalied analyses of the complex emotion system in people along a lavish songwritting and a sostiphicaded production. There is no need to give more explain about this best album ever. At the end, he did what he had always done in the past, now it stands out in eternity of humanhood.
LEAST FAV: N/A
Absolutely a very creative piece of music this year so far despite of the mutual watered-down low keys on some tracks percussion and the delusory enforced performance on some songs, in order to fit in the extraordinarily frightening atmosphere off The Talkies' Girl Band.
FAVS: Going Norway, Aibohphobia,Salmon of Knowledge, Akineton, Amygdala, Ereignis
LEAST FAV: Prefab Castle
What country music means to The Highwomen is a really palliative shot from the lackness of the female view on stereotyped songs about cowboys and trucks. This self-titled helps out to take a deeb breath and realize the current scenario, while beautiful harmozitations and sweets melodies companion yourself in this long strech of change.
FAVS: Redesigning Women, Crowded Table, Don't Call Me, My Only Child, Cocktail and a Song, Wheels of Laredo
LEAST FAV: Loose Change
Ew, NINE should be something I would be ashamed to make it. Guys who aged try to set a mainstream set rock along the most horrifying song this year. They seemingly act like music was nothing they care about. A pity